MECA’s Master of Fine Arts in Studio Art Program is pleased to announce the 2016 MFA Lecture Series, which brings a national and international roster of visiting artists, curators, and scholars to Portland, Maine. These Visiting Artists intersect with the MFA Summer Intensive Residency Program, deliver a public lecture, attend critiques, and conduct studio visits with graduate candidates.
All lectures in this series are hosted in Osher Hall and are open to the public at no charge. Seating is limited. Call 207.699.5010 for more information.
Summer 2016 Visiting Artist Lecture Series
Seth Goldenberg MFA '05, Founder of The Epic Decade
Thursday, June 23
Seth Goldenberg is the Founder & CEO of The Epic Decade, a design think tank group propelled by the essential question “How will we Live, Learn, Work, Play, and Sustain ourselves in the 21st century?” The studio works with clients, sponsors, and partners to convene thought leaders, develop intellectual property, forge stakeholder and business partnership collaborations, and launch complex demonstration projects that represent breakthrough business and cultural models.
Image: Seth Goldenberg MFA ’05. Photo courtesy of Epic Decade.
Hrag Vartanian, Editor-in-Chief of Hyperallergic
Monday, June 27
Hrag Vartanian is the co-founder and editor-in-chief of Hyperallergic, the winning art blogazine based in Brooklyn, NY. His art criticism explores the evolving status of art, its audience, and its transmission and reception. His words and images have appeared in countless publications, and he has been invited as a guest commentator on Al Jazeera, CBC, ABC, WNYC, KCRW, and other national and international media outlets.
Image: Hrag Vartanian. Photo by Veken Gueyikian.
Huma Bhabha, Sculptor
Tuesday, July 5
Huma Bhabha is known for her engagement with the human figure and her use of found materials. Often tending towards the grotesque, Bhabha’s sculptural works and photo-based drawings feature bodies that appear dissected and dismembered, but one can likewise view them as monuments to human life reclaimed from the detritus of a post-apocalyptic landscape.
Image: Huma Bhabha, Unnatural Histories, installation view, 2012. Courtesy of MoMA PS1.
Lori Nix, Photographer
Monday, July 11
Lori Nix was born in the late 1960’s and raised in the American Midwest. Her early exposure to the destructive powers of Mother Nature and Hollywood dystopian stories fueled her young imagination. For the last 20+ years she has constructed small scale dioramas and photographed them.
Image: Lori Nix, Fountain, from the series The City, C-print, 2008
Keith Edmier, Sculptor
Monday, July 18
Keith Edmier has evolved his artistic process into one that intertwines his own personal narrative with historical personalities, architectural simulations, and botanical wonders. He has directly collaborated with many iconic figures such Farrah Fawcett, Evel Knievel, and Frank Veteran (the doctor that attended to John Lennon the night he was shot), among others.
Image: Keith Edmier, Victoria Regia (first Night Bloom), 1998, Polyester resin, silicon rubber, acrylic, polyurethane, pollen, steel, 285 x 325 x 338 cm, Collection Akzo Nobel Art Foundation
Ann Hirsch, Performance Artist
Monday, July 25
Ann Hirsch is a video and performance artist who examines the influence technology on popular culture and gender. Her immersive research has included becoming a YouTube camwhore with over two million video views and an appearance as a contestant on Frank the Entertainer…In a Basement Affair on Vh1.
Image: Frank the Entertainer…In a Basement Affair on Vh1
Jim Shaw, Illustrator
Monday, August 1
Since the 1970s, Jim Shaw has created a vast body of work spanning diverse media and reference points. Shaw’s work mines the essentials of American cultural detritus, from comic books, pulp novels, and album covers, to vintage advertisements, movie posters, and noise rock. Originating from these sources, the work often features recurring characters including himself, his friends, fictional superheroes, politicians, and film stars.
Combining text and the painted figure with objects and drawings from his unconscious, Shaw’s works consistently illustrate purposely bad puns, while twisting politics, religion, and belief into one long dream sequence.
Image: Jim Shaw, Judgement, 2015, acrylic on muslin, 240 x 386 inches, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo
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