ALERT:  Due to the winter storm, MECA will be closed 1/17/18. All classes are canceled and offices are closed.

Start Here. image

Start Here.

Go Anywhere.

Program Benefits
Teach What You Love. image

Teach What You Love.

Apply Your Creativity to Inspire PK-12 Students

Philosophy & Approach
Practical, Action-Based Learning image

Practical, Action-Based Learning

Field Work + Community Engagement

How To Apply

Master of Arts in Teaching (MAT)

Start here. Go Anywhere. Maine College of Art’s ten-month Master of Arts in Teaching (MAT) Program prepares artists to become effective art educators who learn to translate their unique qualities into creative teaching practices.

The program blends theory with practical, action-based learning in hands-on settings that enrich both creativity and critical thinking. Field work and community engagement are essential components of the program. Like most students at MECA, the MAT candidates can be seen working in a variety of settings across the greater Portland area, including schools, museums, and community-based learning centers.

The MAT is divided into three phases: a one-month summer intensive where theory-based courses are taught in an institute-like setting with field experiences beginning on the very first day; a fall semester of courses that include studio art, teaching methods & curriculum building, work in alternative settings, and a consideration of how to manage a classroom for all students; and a spring semester that culminates with a 15-week student teaching experience, enhanced by an action research seminar.

While in the program, you will:

Once core courses have been completed, candidates may intern for student teaching in Maine or any other qualified setting across the US or around the world. MECA is also listed as a participating college with the Department of Defense Schools (DoDEA) for placement of student teachers.

Upon completion, graduates are eligible to apply for certification in Maine as well as other US states, territories, the DoDEA, and the District of Columbia under their Interstate Reciprocity Agreements. Most international schools accept US certifications as well.

Artistic Excellence

View all stories
  • MAT Alumnae Working Side by Side

    Ceri Nichols '15, Emily Rupe '17
    Read Story
  • Art Education: I Saw Potential

    Leonetta "Lia" Petriccione MAT ’15
    Read Story
  • Art as Activism

    Matt Braun MAT '17
    Read Story
  • The Bold Vision

    Kelly McConnell, Director of Art Education Outreach, Associate Professor
    Read Story
  • Inspire & Heal

    MAT Students
    Read Story
  • Depth of Understanding

    Ashleigh Burskey '13
    Read Story
  • Teach What You Love

    Elise Bothel '10, Art Ed '13
    Read Story

Program

Summer

  • MAT 801 Fundamentals of Teaching, Learning, Creativity and Cognition (6 credits)
  • MAT 800 The Artist as Educator Experience: Art Studio Component (3 credits) This course continues into the fall.

Fall

  • MAT 806 Exceptionality in the Art Classroom (3 credits)
  • MAT 809 Alternative Settings for Art Education (3 credits)
  • MAT 810 PK-8 Curriculum Design, Development, and Assessment (3 credits)
  • MAT 812 High School Curriculum Design, Development, and Assessment (3 credits)

Spring

  • MAT 832 PK-8 Student Teaching (6 credits)
  • MAT 833 High School Student Teaching (6 credits)
  • MAT 836 Professional Practices Seminar (3 credits)

*For full course descriptions, email Graduate Programs Admissions Counselor, Adrienne Kitko, at akitko@meca.edu or call 207.699.5023.

  • Formally or informally reflecting on each experience in MAT, no matter how monumental or routine, was greatly responsible for the development of my philosophy of education. Continuously reflecting and examining my practice or the practice of my peers, mentors, or professors, was critical in shaping my understanding of what makes a successful educator, and these are values that I have carried with me into my first year of teaching.

    Emily Rupe MAT '17    //  High School Art  //  Cumberland, ME
  • I couldn't have [gotten a job offer] without everything that went into the last 10 months at MECA. I worried and super-prepared before my interview, but once I was there, I felt comfortable and able to speak confidently to their questions. I'm really happy about pursuing these next steps as an art educator and am grateful for how the MAT program both prepared and inspired me.

    Margaret Mountcastle MAT '16    //  High School Art Teacher  //  Winthrop High School
  • We’re the ones who someday will be the art teacher in high school that you all loved. We’re the ones who might be the middle school art teacher whom you don’t really remember, but somehow it was still your favorite class. We’re the ones who want to tell the schools, the parents, and the community, how important the arts are.

    Ceri Nichols MAT '15    //  IB Art Teacher  //  Cumberland, ME
  • I am very happy to be able to pass along the news that I was hired as an art teacher. I am grateful for the encouragement and support that MECA had given. Reading my reference letters again helped me remember how much we learned at MECA and remind me that I'm ready for my own classroom!

    Rosemary Ellis MAT '14    //  Elementary Art  //  Farmingdale, ME
  • As part of the school’s program, all faculty members are required to take workshops in scientific inquiry and investigation. As the only art teacher there, I felt a little out of place that first day. However, because at MECA we talked a lot about inquiry, project-based learning, and the incorporation of interdisciplinary knowledge, I was definitely ahead of the game, and was able to very quickly validate my place at the table.

    Debra Schaeffer MAT '15    //  Middle School Teacher  //  Southbury, CT

What do our alumni do?

Statistics from the 2015 Strategic National Arts Alumni project (SNAAP)

Did you know?

55% is the national average for arts alumni that work as professional artists.

45% is the national average for arts alumni that are self employed, independent contractors, or freelance workers.

63

Work as professional artists

23

Work as graphic designers, illustrators, or art directors

16

Founded a business

23

Work as craft artists

38

Work as fine artists

29

Work as art teachers

17

Pursued an MFA after graduation

47

Are self-employed, independent contractors or freelance workers

91

Make art in their personal time

View More
View Less
MAT Alumnae Working Side by Side image

MAT Alumnae Working Side by Side

Ceri Nichols '15, Emily Rupe '17

I have a moment of happiness, whether it’s a student finally getting what value is, or seeing their reactions to new materials during a demonstration, that’s when I’m surprised— it’s an amazing feeling and a constant reminder that I made the right choice in becoming a teacher.

As the Master of Arts in Teaching program enters its sixth year, recent graduates have begun their careers working side by side with seasoned alumni. Fern Tavalin, Department Chair, posed several questions to Ceri Nichols ’15 and Emily Rupe ’17  to find out what it has been like for them. Their written responses tell a compelling story.


1. Tell me a little bit about your teaching job.
We teach at Greely High School, which is located in Cumberland, Maine and serves both Cumberland and North Yarmouth residents. The school has about 675 students, and the two of us make up the art faculty for the high school. Ceri is full time and teaches Foundations of Art, Painting, IB Visual Art 1 & 2, AP Studio Art and Art II. Emily is part time and teaches Foundations of Art, Art II, and Digital Art and Photography. We both have advisories that all meet together on a daily basis, and Emily is the advisor of Art Club and Photography Club. Our department is a unique one that consists of Visual art, Music, Theatre, Health, PE and Special Ed. We meet on a bi-weekly basis to discuss school wide information as well as our discipline-specific issues. Our rooms are rarely empty, even when we have prep time.

We have a block schedule that consists of four 84 minute classes. Most classes consist of some sort of demonstration or introduction, often connecting to art history or contemporary art, studio time, and sometimes critique. We both teach Foundations of Art and Art II, and have worked to create a shared curriculum that ties directly to the Maine Learning Results. Something that we both enjoy, in addition to structured objectives, is the ability to make the curriculum our own. Most of the projects that our students complete in those classes result in a very similar product, but the process of implementing these lessons is where we are able to be creative and flexible. In these classes, we teach through the Elements of Art and Principles of Design and a variety of media including drawing, painting, printmaking, clay, and mixed media.

2. To what degree was being an MAT from MECA considered in your hiring?
Ceri: The art teacher on the hiring team was in close connection with Kelly McConnell, who played a big part in the recommendation process. MECA has a great reputation when it comes to preparing their teacher candidates for jumping into a teaching job. One of the things I was told really helped my application and interview was the visual aid I created and brought for the team which highlighted work I had done throughout the 10 month MAT program and included my teaching philosophy.

Emily: Ceri was on the hiring committee in search of a new art teacher last year. Kelly McConnell offered recommendations for MECA alums which made a big difference, especially when it came down to finding a teacher that shared the same educational philosophy and background. Knowing that we had the same background felt great, because it gave us something to connect with but also because in such a small department, making decisions together is inevitable and having similar experiences gives us an automatic team mentality.

Ceri: I was also just really excited by how organized Emily is, I knew we would get along!

3. What are some things from your experience at MECA that you found helpful as a beginning teacher?
Concrete observation was something we learned how to do in the Summer Institute with Fern and it has come in handy when reporting on students’ progress and accommodation success for their IEP or 504 meetings. Our prior knowledge and comfort regarding concrete observations is something that will also be beneficial when Greely begins the peer mini-observation process this spring, where teachers will be observing their colleagues and offering feedback that is tied directly to the Danielson Framework.

Ceri : When writing a standards based curriculum from scratch, having the experience in planning units and scope and sequence development has been great. It’s given me the confidence to think big picture, and make decisions, and I’ve really grown to enjoy it. In addition to that, creating standards based rubrics is coming quite naturally to me now that I’ve had years of experience doing it, starting with MECA.
Mentorship during student teaching has been a great resource as a new teacher. We both have used our mentors to help us through the beginning stages of starting our careers. They’ve been so helpful with problem solving and advice. We still think of them often.

Ceri: Photo Documentation is a wonderful habit to have in the classroom. It helps with reflection, and is really great with jogging my memory when I’ve gotten lost in the whirlwind of the school year. It also helps to have photos when yearbook asks you for them, and when we have our Tribute to the Arts day and show a slideshow of our students and their work.

4. What is it like for you to mentor/be mentored by a fellow MECA alum? Are there some aspects of your training that make it easier to talk to each other?
Ceri: It’s great to know the same local resources and share some of the same experiences from the program. Working with someone who has the training in standards based learning is great because it is such a significant part of what we’re doing right now at our school. I also think that learning to look at teaching as an ever-changing process that only gets better with reflection is really great. It makes the environment feel easy and challenging all at the same time. Like we’re both ok with adjusting and reflecting and growing. It makes it fun.

Emily: The MAT program really stressed the importance of collaboration and maintaining a team-work mentality, and the fact that both of us have that skillset and interest is something that has made working together really enjoyable. I think that our communication surrounding both summative and formative assessment that is directly tied to standards is very clear, and Ceri has been really helpful in mentoring me as I entered the dual grading system that Greely uses. This is a huge transition in terms of assessment for the HS this year, but I feel confident in my grading because of my education and Ceri’s shared knowledge.

5. Describe any surprises about teaching that you may have. (Your chance to brag about you and your students regardless of MECA education)
Ceri: For me, when I’m in the middle of my day, surrounded by students, supplies, emails, and to-do lists and I have a moment of happiness, whether it’s a student finally getting what value is, or seeing their reactions to new materials during a demonstration, that’s when I’m surprised- like “this is my job?” or “am I really getting paid to do this?” It’s an amazing feeling and a constant reminder that I made the right choice in becoming a teacher. One of my fears was losing the time to make my own art, and yes at times (like any time in May) it’s impossible to fit it in, but even just making example pieces can feel really good. And the students’ work is inspiring! I get a lot of ideas from them. Plus, teenagers are just great, most of the time.

Emily: Everyday I’m surprised by how much my students are teaching me, things like a new perspective to offer when demonstrating materials or content, or the best way to facilitate them towards achieving success within the classroom. Some of my students are so passionate about art or eager to incorporate their own interests into their artmaking. They’re introducing me to tools and techniques to plan and make art with that I would not have automatically included in my classes – like programs to create digital illustrations with, or ways to merge civil engineering computer programs with ceramics and watercolors. I’ve just embraced this role of being a co-learner, and it’s definitely helping to improve my connections with students in the now, and will absolutely be guiding my planning and instruction in the future.


Masthead image: Ceri Nichols ’15, left and Emily Rupe ’17, right.

Art Education: I Saw Potential image

Art Education: I Saw Potential

Leonetta "Lia" Petriccione MAT ’15

I'm hoping the students will feel empowered by seeing the value of their artistry

Most students graduate from MECA’s Master of Arts in Teaching Program and seek traditional employment as elementary or high school art teachers. Leonetta “Lia” Petriccione MAT ’15 had other ventures in mind. After substitute teaching in her home state of Montana, Lia joined the Peace Corps. Following a rigorous screening process, she found herself teaching at the Wa School for the Deaf in a rural area in the far north of Ghana in West Africa. Lia’s own entrepreneurial spirit, deepened through her MAT Alternative Settings coursework and the values of MECA’s Artists at Work Program, has reinforced a practical component to her teaching. She sees potential in the vocational program, and her goal is to help realize its business potential.

CeCe at the Wa School for the Deaf in Ghana, Africa

Letter from Ghana by Lia Petriccione MAT ’15
”Things are going well at my new school! I teach both primary art and the vocational home economics class. When I arrived here, I was happy to see they had a solid vocational program up and running. As a Peace Corps volunteer, I was asked to come here and teach art at the primary level. I do, but I also saw a lot of potential in the vocational department and I wanted to get involved.”

“There is a group of students who weave traditional Kente cloth and then the sewing class makes bags and dresses with it. They also embroider beautiful tablecloths. Their work is of really high quality. Sadly, their crafts have been sitting in storage.”

“I saw potential for this to become an income-generating project. The school owns a container store right outside of the gate. We are currently working with the headmaster to have it cleaned out and prepared as a roadside shop to sell the student work. We are recruiting the technical skills class to make a sign for the store as well. I have reached out to fellow Peace Corps volunteers and sold a few items through them. At some point, I hope the sales network expands even further. I’m thinking about writing a grant to build them a new vocational building. The space they are using is not large enough to store their products and work at the same time.”

“People who are deaf face big challenges in Ghana, especially women. To support sustainable capacity, I’m also planning a Let Girls Learn leadership camp for the deaf. I’m hoping the students will feel empowered by seeing the value of their artistry. Having a source of income and pride in work allows for independence and a brighter future.”

Header Image: Grace with Lia Petriccione MAT ’15

Sample of student work

Art as Activism image

Art as Activism

Matt Braun MAT '17

Art is a form of empowerment, solidarity, and a means to find peace in this world.

While most graduates prefer teaching jobs in PK-12 schools, Matt Braun had a different idea. He chose to move to Mumbai, India to begin his career at Ascend International School, an interactive laboratory for learning that reflects many of the same values as the MAT Program: inquiry, high expectations, community of learners, collaboration, and an appreciation for cultural richness.

Matt enjoys his position at Ascend, but is especially passionate about his afterschool volunteer work at the Dharavi Art Room. Dharavi is a neighborhood in Mumbai that has been labeled the largest “slum” in Asia with over one million people living in less than a square mile. The Art Room provides a safe place for children to play, learn and express themselves. They explore personal and neighborhood issues through artistic mediums, widening the communication between disparate groups within the larger community.

What better way of promoting the mission of the Dharavi Art Room than through printmaking? That’s where Matt and his artistry come in! Matt has spent his adult life as a printmaker and art activist. Having facilitated printmaking projects with students in Nepal prior to enrolling at MECA, he deepened his knowledge of teaching and learning while completing the MAT program. The college’s value of community engagement shines in Matt’s activism.

Printmaking, the process of creating multiples, has a long history of making art accessible to all and spreading it to the masses. During an upcoming project, children from the Art Room will explore printmaking as a way to share their own thoughts and stories. Each child will learn about the printmaking processes, explore mono-printing and create their own original linoleum relief prints that will result in a group exhibition. They also hope to put together a book documenting the workshop and the artwork created during this project.

Matt would like to assemble printmaking kits for the Dharavi Art Room that include linoleum plates, water based inks, carving tools, brayers and other materials for the workshop. To achieve this goal, he has stablished a funding site to help defray costs. Funds will also be used to help support a group art show where the children will be able to exhibit their artwork.

Learn more information about Matt and Dharavi Art Room.

The Bold Vision image

The Bold Vision

Kelly McConnell, Director of Art Education Outreach, Associate Professor


I never anticipated how much my college students would love going to a place that felt like a home and a family. They missed being surrounded by older, nurturing elders… The exhibition was a beautiful mix of wheelchairs, walkers, and wild hairstyles. The way our communities came together in this class and exhibit was phenomenal.

Article originally published in The Cedars Magazine.

Local Art Students and Seniors at The Cedars Fore a Connection Through Art

“Where can I be an aging artist?”
“Where can I be true to myself”

Kelly McConnell, an artist-educator at MECA, found herself pondering these questions while observing an Opening Minds Through Art (OMA) session at The Cedars.

OMA, led by artist-in-residence Pamela Moulton, is an innovative intergenerational art therapy program that allows seniors with dementia to create, and communicate, with abstract art while training physical therapy students at the University of New England for careers in elder care. Kelly was energized and inspired— and determined to find a way to forge the same kind of bond between seniors and her own art education students at MECA.


 

The Cedars Learning Community™ and the students at Maine College of Art develop an innovative, intergenerational approach to teaching art to seniors that transforms the way we see aging—and each other.

Kelly McConnell’s popular Public Engagement seminar teaches students at MECA how to teach art. Her pupils practice these skills in a real-world setting, typically a secondary school classroom. But after seeing OMA in action at The Cedars, she had a bold idea: asking The Cedars to host her seminar.

Developing community partnerships and educational opportunities is a core objective of The Cedars Learning Community™, so The Cedars eagerly signed on.

“I so appreciated the spirit of the leaders at The Cedars to do things that are things artists do— sit with uncertainty hover in the unknown, explore,” she says. “It was a leap of faith for everyone.”

Kelly’s collaborative, emergent approach to teaching meant that everyone involved— students and elder artists— could, and did, shape the direction of the course and the work. The elder artists practiced art techniques and the MECA students practiced teaching and social outreach strategies, but that was just the part of the knowledge shared and gained.

“We asked the elder artists what they hoped to get out of the class,” Kelly recalls. “They told us ‘at the end of this class, I hope we will be friends'”.

Over the next seven weeks, the elder artists and the art students did become friends.

“The elders and students grappled with big questions about the nature of art and their roles of artists,” Kelly says. “They could also ask each other about hair colors, nose rings, and their job prospects after graduation.”

The course culminated in a First Friday exhibition at MECA where students, seniors, their families, and The Cedars community gathered to celebrate a bold vision of community, aging, and art.

Read article (larger) here.


“Art didn’t mean anything to me until older years. It became a part of my life and I have the time. Art means not to be afraid of making a mark on the paper, and it doesn’t matter if my neighbor says it’s art. I am the artist! Art is about not being afraid to do what I want as an artist” — Lauretta, Elder Artist

Inspire & Heal image

Inspire & Heal

MAT Students

Making art transports the mind, body and soul to places of imagination and inspiration. While the Master of Arts in Teaching program at Maine College of Art primarily prepares teacher candidates to teach in K-12 public schools, opportunities for teaching art in local community-based settings abound. As part of the Alternative Settings class with Assistant Professor and Director of Art Education Outreach Kelly McConnell, a group of MAT candidates, including Adrienne Kitko, Debra Schaeffer, Lia Petriccione, Shaun Alyward and Tess Hitchcock, selected a placement at the Barbara Bush Children’s Hospital at Maine Medical Center in Portland.

The group shared their enthusiasm for collaborative and individual art making by planning a group activity, followed by one-on-one projects tailored for each person.

To begin, they set up a station for the children to learn and explore. Their lesson plans included providing the young patients with various paints, colors and brushes to design unique puzzle pieces that would form a whole. “Tess, Lia and I got to the hospital early to set up,” explained Adrienne. “While we were waiting at the nurses’ station, I heard doors slowly open, and saw tiny eyes peering at us through the sliver of the open door. We put our stuff down and immediately a curious little girl came up to us, exclaiming that she loves to paint but only has 10 minutes before her next IV treatment. We all reacted quickly and set this little girl up with a palette of various colors of paints, brushes and a water cup, and let her pick out her own puzzle piece.”

Adrienne further explained their planning process: “Our hope was for the children to get to know one another, make a friend or two and realize they are not alone. Our hopes were exceeded when we had more children than we expected and their family members participated in the painting, laughing and playing around with the puzzle pieces.”

After the puzzle activity, the MAT teacher candidates worked with individual patients, designing lessons that focused on art skills that would bring out personal expression and be fun to do. Each teacher candidate used a medium that the children wanted to learn something more about. When describing the experience, Tess Hitchcock noted, “Ashleigh wanted to learn how to paint, so I brought watercolors and a smile to the hospital one Saturday morning.” Tess’s lesson built on Ashleigh’s desire to paint and extended her thinking by posing age-related provocative questions about art making like, “Is it okay to make a mess?” and “Does your painting have to look like something real?” Soon following her lesson with Tess, Ashleigh purchased a watercolor set of her own and continues to experiment with her newfound medium.

The Barbara Bush Children’s Hospital reflects the experience of teacher candidates in all of the Alternative Settings class placements. Provide art, provide expertise, provide excitement and the rest follows.

Maine College of Art’s nationally accredited Master of Arts in Teaching program is designed to prepare artists to recognize how their personal attributes and talents enhance and strengthen the learning environment. It is an intensive, 10-month program that blends the worlds of art and education.

Depth of Understanding image

Depth of Understanding

Ashleigh Burskey '13

MECA’s program stresses the critical practice of self-reflection and as a result, I know myself better now than I did when I first arrived.

When I searched for graduate programs, I was looking for a small-sized class and a fierce course of study which emphasized an artist-educator philosophy, educational theory and hands-on experience. MECA’s program stresses the critical practice of self-reflection and as a result, I know myself better now than I did when I first arrived. This new depth of understanding has made me better prepared to become the teacher I most want to be. I have realized that learning occurs when we reflect on the connection of information learned in the classroom to our experiences in the field. When we contextualize knowledge into our unique experiences we become more grounded and empathetic educators.

An emphasis on student-centered teaching in MECA’s art education program revealed to me that my artwork is not only a visual response to the contemporary society in which we live, but also a culmination of my experiences reflected through the lens of my identity. My work is an embodiment of my struggle to identify my position in the technologically driven and amnesiac environment we experience today. It is important to understand and empathize with each of our student’s identities for only when we know that their artwork is a reflection of their world and unique experience have we effectively taught

Teach What You Love image

Teach What You Love

Elise Bothel '10, Art Ed '13

I believe that the arts are a positive experience innate to the nature of us all.

After receiving her Bachelor of Fine Arts in Sculpture, Elise Bothel furthered her education, also at MECA, by becoming certified to teach art through MECA’s Post-Baccalaureate Certification program (which has evolved into our current MAT program). She currently teaches at Narragansett Elementary School in Maine and was selected to participate in the Maine Arts Leadership Initiative as a lead teacher. She also continues to make and sell her work.

She says, “I believe education should be for the benefit of the student and the community of the world at large. I believe that the arts are a positive experience innate to the nature of us all. With art we can heal, reflect, grow, express emotion, and experience joy. Art is key to personal development, and also a way to show knowledge in a cohesive form. All children are born connected to the art of drawing, singing, dancing, storytelling, and imagination. All cultures across time use art as a means of expression. I aim to reconnect my students to the joy, never ending depth, and inquiry art has to offer. I bring joy to the classroom by being a caring, open, and receptive educator. I design lessons that serve students’ personal interests, ideas, and inquires. I allow failure to be a part of the art making process, while still adhering to the state and national standards for art education. I want my students to be unafraid to create, and to explore and embrace their own artistic abilities.”

“I believe the purpose of art education is to give students confidence in their ideas and in themselves. I like to encourage students to take risks, and to try new venues and ways of seeing using a multitude of materials and methods. Its important that a variety of mediums and techniques from many cultures are incorporated into my arts curriculum because I feel that exploring and learning a new material or process adds skill, self-assurance, and global understanding to the artist’s range of tools.”

“Reflection, interpretation, and questioning are important tools for the art classroom. My classroom climate is supportive and constructive, growing to meet the needs of the individual and the group. Class critiques are vital to collective and self-understanding as well as to build a vocabulary for discussion about art. By looking at and talking about the art created in the classroom compared and contrasted to art made in other places and times, students can better assess their own work and find meaning within the context of the art world. We as humans are all connected. Art is the way to understand and grasp the concept of the responsibility and empathy required to best live and interact cohesively with others.”

Visit Elise’s website.