Please join us on October 9th, from 5PM to 7PM, for the opening of Residual Utopia; the 2015 Maine College of Art Alumni Biennial at the College’s Institute of Contemporary Art. This year our jury, comprised of alumna Jenny McGee Dougherty ’05, Dan Mills, Director of the Bates Museum of Art, and Lissa Hunter, Chair of the Board of Trustees at Haystack Mountain School of Crafts, has selected four artists that represent the breadth of the college’s academic programs, with representatives from our Bachelor’s Program, as well as our Master’s in Fine Art and Art Education programs.
The work that these artists produce illustrates a range of interests, practices, and levels of audience participation. In their individuated practices these artists have identified certain utopic ideologies as having been built on the ashes of that which came before. Ellen Babcock BFA ’84, Cole Caswell MFA’08, Kevin Goodrich Art Ed ’10, and Carlos Pileggi MFA ’13 are working in fields of painting, photography, social sculpture, social practice, and printmaking.
The logic at play in each of their practices showcases their ability to develop and to problem solve; two traits demanded of artists today. This development out of/away from the rules of art practice is both postmodern and contemporary, as well as decidedly anti-utopian. The parameters laid down by generations of modernists decreed the separation of artistic disciplines for the sake of their own agendas. The rigidity of these systems had within them the seeds of their own demise, and it is from the rubble of those hopes that these artists mine for material, content, audiences, and histories. We have on exhibition what they have built from the residue of their respective utopian legacies.
On view until December 18th, 2015.
Metalsmithing and Jewelry Majors to Exhibit Nationally
Sensorium, Betsy Lewis
Pie Server, Mary Forst
Two Metalsmithing and Jewelry majors, Betsy Lewis and Mary Forst, were accepted into national exhibitions.
"Craft Forms 2015, the International Juried Exhibition of Contemporary Crafts, will be on display at the Wayne Art Center from December 4, 2015 − January 30, 2016. This eagerly anticipated exhibition, celebrating its 21st year, is dedicated to enhancing the public's awareness of fine contemporary craft while providing a venue for established and emerging artists to share their creative endeavors. Craft Forms is internationally recognized as one of the premiere contemporary craft exhibitions. The finest works of ceramics, wood, fiber, metal, glass, mixed medium and 3D printing are featured, supporting the Center's mission of expanding the public's awareness of fine contemporary crafts, and significantly benefiting all educational and outreach programs for children and adults."
"Form Forge Fabricate is Southern Illinois Metalsmith’s 8th annual exhibition, just one of the activities of an ambitious weekend that includes demonstrations, a fine craft auction, and a student-juried and mounted exhibit at the University Museum of the best in metalsmithing.
SIMS is made up of graduate and undergraduate students who are interested in metal as an artistic medium. The purpose of the group is to promote metalsmithing arts and to provide opportunities for learning and artistic expression."
Illustration Faculty Jamie Hogan to participate in "RISD READS"
RISD READS | Children’s Book Reading and Signing October 10th, 2015 at 2pm Providence, Rhode Island
Readers, writers and illustrators of all ages are invited to join award-winning children’s book creators and RISD faculty Jamie Hogan 80 IL, Joe McKendry 94 IL and Joo Hee Yoon 11 IL as they read aloud from their picture books. A book signing sponsored by RISD WORKS will follow.
Dedication Ceremony of the Bob Crewe Program in Art and Music and Grand Opening of the Bob Crewe Gallery
Dedication Ceremony of the Bob Crewe Program in Art and Music and Grand Opening of the Bob Crewe Gallery Hosted at MECA on Saturday, October 3, 2015 at 4pm
Media Invited to Attend Ceremony and Celebration Honoring the Life and Legacy of Internationally Acclaimed Artist, Producer, Musician and Writer, Bob Crewe
Portland, Maine ~ In April 2014, the Bob Crewe Foundation awarded MECA a $3,000,000 gift to establish a new area of study that explores the intersection between art and music. Since then MECA has been hard at work building out the lower level of the Porteous Building (522 Congress Street) to accommodate this new initiative, developing curriculum, hiring faculty and preparing to launch one of the most innovative academic programs ever conceived.
In addition to providing the first glimpse into MECA’s newly renovated lower level, attendees of the October 3 dedication ceremony will enjoy guided tours of the new facility, an official ribbon cutting, and special guest appearance from former musicians and industry professionals that Bob Crewe collaborated with throughout his illustrious career.
Inducted into the Songwriter’s Hall of Fame in 1985 and credited with a string of top ten hits including “Sherry,” Big Girls Don’t Cry,” and “Can’t Take My Eyes Off of You,” Bob Crewe’s influence went far beyond his contributions in the field of music composition, performance and production.
Most recently, Crewe has been featured as a supporting character (played originally by Peter Gregus) in Jersey Boys, the multiple Tony Award-winning, long-running Broadway musical based on the story of Frankie Valli & The Four Seasons that has become an international hit. Crewe is credited as the show's lyricist.
Bob’s career in the visual arts began as a student at Parsons School of Design in New York City. After art school, Bob became one of the many musicians who also used visual art as an inspiration for his music. In addition to his countless accolades in music, Crewe has also achieved recognition as an artist, having designed a number of album covers as well as having had highly successful one person gallery showings of his paintings at the Earl McGrath Gallery, Thomas Soloman's Garage and Jan Baum Gallery in Los Angeles.
Bob Crewe’s brother, Dan Crewe, has served on MECA’s Board of Trustees since 2011. Having worked alongside his brother for many years as his right hand man and business partner, Dan Crewe is confident that this new program is the perfect way to celebrate his brother’s legacy and life-long passion. Dan Crewe said, “I strongly believe in creativity and how different art forms interact to create something unique. I believe my brother Bob’s career demonstrates this in a powerful way. The Bob Crewe Foundation and Maine College of Art are embarking on something really special and original in academia by blending the two areas with an evolutionary design.”
Vice President of Academic Affairs and Dean of the College, Ian Anderson, is excited about the opportunity to promote the legacy of Bob Crewe to a new generation of creative entrepreneurs. According to Dean Anderson, “October 3rd marks the culmination of an immense effort that has transpired at MECA over the past 18 months. Thanks to the generosity and vision of the Bob Crewe Foundation, our lower level has been transformed into a state-of-the-art recording facility, classrooms and studio space. Our new recording studio will provide students a chance to learn the art of audio recording, mixing and mastering on some of the highest quality equipment found anywhere in the world.”
The curriculum will also explore a wide range of topics and subject matter relating to the interplay between music and art. A sampling of courses for the new minor include History of Contemporary Music, Applied Theory Through Composition, Music Business and Management, Ethnomusicology, and experimental courses like Sound and Color.
Dean Anderson believes that by creating curricular and co-curricular experiences for students in art and music, MECA can be the first art college to explicitly engage in combining the study of contemporary art and design with music. He said “MECA is uniquely positioned to develop this area because of our size, history and willingness to experiment.”
Anderson said, “One of the things that makes MECA unique is its ability to combine, integrate, and synthesize multiple disciplines. I see ways in which all of our eleven undergraduate majors and two graduate programs will overlap and integrate with The Bob Crewe Program in Art and Music. This is an exciting period of growth and innovation here at the college.”
President Don Tuski Ph.D. believes this new program will have a significant impact towards reinforcing much of what makes Maine, Portland, and MECA a place of true distinction: excellent creative talent and a great cultural arts scene. According to Tuski, “Recognizing the integration of art and contemporary music is not something colleges or universities have engaged with directly. However, students, musicians and artists have done so for a long time and with the help of The Bob Crewe Foundation we want to facilitate this happening more in Portland, ME. We think this is a rare opportunity to make an important contribution within a new creative frontier. By consciously focusing on art and music together, new art forms can be created and MECA will continue to create the cutting edge of society, not just be on the cutting edge.”
Join the Maine Humanities Council, the Portland Museum of Art, the Gulf of Maine Research Institute, and the Margaret Chase Smith Policy Center to explore one of the most contentious issues of our time. How has public conversation about climate change evolved over time? What cultural and historical factors have shaped its trajectory? How do scientists, artists, and humanities scholars infuence the way we understand and talk about climate change?
"Michel Droge received her BA from Oberlin College and her MFA from Maine College of Art. She is the recipient of awards and grants including the Joan Mitchell Foundation MFA Award and a Maine Arts Commission Grant. She exhibits regularly both nationally and internationally. Droge currently teaches at Maine College of Art and maintains her studio at the Bakery Studios in Portland Maine. She is researching the impact of climate change on small Island communities. Her paintings and prints are an exploration of the environment, coastal ecosystems, and adaptation."
Mary Anne Lloyd is new Department Chair of Illustration
Mary Anne was one of the founders of the Illustration program at MECA, along with Scott Nash and Jamie Hogan. She has worked diligently the past ten years to create a robust and rigorous curriculum. She is a Portland School of Art alumni having graduated as a Graphic Designer in 1983.
Portland illustrator Scott Nash, along with Akimitsu Hogge and Wade Brainerd, developed a mobile app that allows users to share the full expressions of 2016 presidential candidate Bernie Sanders. The app is free through the Apple Store.
Metalsmithing & Jewelry alum Jason Morrissey '98 will be on the History Channel tonight!
"FORGED IN FIRE features world-class bladesmiths competing against each other to create some of the most iconic edged weapons from history. In each episode, four of the best bladesmiths in the country will come together to put both their skills and reputations on the line. Whether they are making a Japanese katana, a medieval broadsword, or an ancient throwing blade like the chakram, the weapons they forge will be fully functional and lethal works of art and war. The unique histories contained within each weapon will be creatively told during the forging process and the final weapons themselves will be assessed and ruthlessly tested by our panel of expert judges. These dynamic and explosive tests will be individually designed to push the weapons to their absolute limit. One by one, the bladesmiths will be eliminated until only one remains to be crowned the champion."
Through our Masters of Arts in Teaching Program, teacher candidates may intern for student teaching in Maine or any other qualified setting across the US or around the world. Maine College of Art is listed as a participating college with the Department of Defense Schools (DoDEA) for placement of student teachers.
Upon completion, graduates are eligible to apply for certification in Maine as well as other US states, territories, the DoDEA, and the District of Columbia under their Interstate Reciprocity Agreements. Most international schools accept US certifications as well.
Ceramics Faculty Mark Johnson is featured in May/June issue of Pottery Making Illustrated magazine. The article is entitled "Compose and Contain: Flower Rafts", which features the step-by-step process of making and glazing his work.
Professor Jamie Hogan exhibits at Portland Public Library
THE STORYBOOK WATERS OF ILLUSTRATOR JAMIE HOGAN:
A PORTLAND PUBLIC LIBRARY EXHIBIT & RELATED EVENTS
Portland, ME — In an exhibit entitled “The Storybook Waters of Illustrator Jamie Hogan” running from July 1 - September 25, 2015, in the Children’s Room of the Portland Public Library’s Main Library, Jamie Hogan’s lush pastel and colored pencil illustrations of the water and waterfront will be celebrated.
At the Exhibit Opening on Thursday, July 9th, from 5:00-7:00 PM, Peaks Island artist Jamie Hogan will speak about her illustration inspiration and process for ISLAND BIRTHDAY (Tilbury House Publishers), a children’s picture book about a Maine island by Matinicus Island's renowned essayist Eva Murray. Hogan will also share how she paid tribute to the journal drawings of naturalist John Muir in her illustrations for JOHN MUIR WRESTLES A WATERFALL (Charlesbridge), and her research of the tidal waters of the Sunderbans for the children’s chapter book, TIGER BOY (Charlesbridge). In support of these books and the exhibit, Jamie Hogan will appear at events in Rockland, Peaks Island, Kennebunkport, and Camden, Maine. (A complete list of events is below.)
While Jamie Hogan strolls the beaches of Peaks Island with her dog or crosses the bay to teach Illustration at Maine College of Art, she is keeping her eyes open and camera ready for the colors and characters of Maine’s waterfront. Each day inspires her pastel landscapes and the nine children’s books she has illustrated since 2007. Artists across the country follow her process and rich reference on her blog at www.JamieHogan.com/blog.
“I grew up in the shadow of the White Mountains, skiing and hiking,” says Jamie Hogan, “but I've always been drawn to any body of water, from stomping in puddles to living in the Bay Area in California. Now I walk daily to the Maine shore during breaks in the studio. Crossing Casco Bay, especially during a full moon, thrills my soul to the bone.”
Hogan’s children’s book illustration career began in 2005 when Charlesbridge Publishing paired her with Mitali Perkins’ children’s novel, RICKSHAW GIRL, a book recently named as one of the “New York Public Library’s Top 100 Children’s Books of the Last 100 Years.” Other Charlesbridge titles include NEST, NOOK & CRANNY, with her charcoal drawings, and a nonfiction ecology title, A WARMER WORLD, with her pastels. Her pastels came back into play for HERE COME THE HUMPBACKS, featuring a mother whale and her calf's journey to the Gulf of Maine. The latest partnership with Charlesbridge mirrors John Muir’s own sketchbooks—Hogan illustrated JOHN MUIR WRESTLES A WATERFALL entirely in colored pencil.
“Jamie Hogan’s art is beautiful and energetic,” says Whitney Leader-Picone, the Senior Designer at Houghton Mifflin Harcourt Books for Young Readers, who art directed Jamie Hogan’s Charlesbridge books. ”She has an intuitive sense of space and composition. Her attention to detail and strong design sense bring depth and transcendence to her artwork. Jamie captures the souls of her subjects, be they plants, animals, or people, so that they come alive to the viewer.”
Robyn Holman, curator of the University of Southern Maine’s Atrium Art Gallery, has included Hogan’s work in a number of exhibitions and sees Hogan as, "one of Maine's finest illustrators, continuing to create work that is inspired, magical, and brilliant. Her work is grounded in both imagination and direct observation, resulting in thoughtful, unforgettable images that resonate with the text."
Peaks Island residents and landscapes often are reflected in Jamie Hogan’s work. A Peaks Island kitchen appears in the opening spread of Tilbury House Publishers’ ISLAND BIRTHDAY, and the model for the Matinicus Island boy of that story lives across the street from Hogan. Her daughter Daisy and her friends can find their younger selves pictured on the pages of SEVEN DAYS OF DAISY (Down East Books) and ICE HARBOR MITTENS (Down East Books).
“Pastels are color dust, a very direct medium that I love,” says illustrator Jamie Hogan.”To lay it down on paper to tell stories for children’s education and imagination is an unparalleled honor.”
COMPLETE LIST OF RELATED EVENTS
June 27, 10:00 AM
Hello Hello Books
Illustrator Jamie Hogan and author Eva Murray will read, sign, and hold an activity for children to celebrate their children’s picture book, ISLAND BIRTHDAY. The book is set on Maine’s Matinicus Island.
July 9, 5:00-7:00 PM
Portland Public Library Children's Room
Opening reception and artist talk for the children’s book illustration exhibit, “The Storybook Waters of Illustrator Jamie Hogan.” There will also be a book sale and signing of Jamie Hogan’s latest children’s books, ISLAND BIRTHDAY, JOHN MUIR WRESTLES A WATERFALL, and TIGER BOY.
July 10, 6:00 PM
Peaks Island, Maine
Illustrator Jamie Hogan will join other authors and artists for “Color and Pages of Peaks Artist & Author Reception” for a book sale and signing of her latest children’s books, ISLAND BIRTHDAY, JOHN MUIR WRESTLES A WATERFALL, and TIGER BOY.
July 23, 1:00-2:00 PM
Louis T. Graves Memorial Public Library
As part of the “Every Hero Has a Story” Summer Reading Program, illustrator Jamie Hogan will talk about hero naturalist John Muir and lead a children’s art activity in a association with her new picture book, JOHN MUIR WRESTLES A WATERFALL.
August 22, 1:00 - 4:00 PM
Camden Public Library
As part of “Book Fair by the Sea,” illustrator Jamie Hogan and author Eva Murray will read, sign, and hold an activity for children to celebrate the children’s picture book, ISLAND BIRTHDAY. The book is set on Maine’s Matinicus Island.
MECA ANNOUNCES FACULTY EXPANSION
Fall 2015 Academic Year Welcomes Marie Shurkus as Chair of Academic Studies and Associate Professor of Art History and Joshua Reiman as Assistant Professor of the MFA in Studio Art and Sculpture
Portland, Maine - MECA will soon be welcoming a dynamic pair of new faculty hires: Chair of Academic Studies and Associate Professor of Art History, Marie Shurkus and Assistant Professor of the MFA in Studio Art and Sculpture, Joshua Reiman.
Ian Anderson, VP of Academic Affairs and Dean at Maine College of Art recently lauded the efforts of the search committees behind both positions. “I couldn’t be more pleased with the outcomes of these searches. Dana Sawyer, Chair of the Academic Chair Search Committee, and Sue Nutty made a great team, assisted by Rob Sullivan, Gail Spaien and Moira Steven. Co-chairs of the MFA Search Committee Gail Spaien and George Larou, along with Ling-Wen Tsai, Anne Emlein and Chris Stiegler, were no less impressive, culling through a strong pool of almost 100 applicants.”
Both of these faculty positions are pivotal in helping to shape the academic experience and future of the college.
Marie Shurkus holds a Ph.D. in Humanities Interdisciplinary Studies from Concordia University in Montreal as well as an MA in Modern Art History, Theory and Criticism from the Art Institute of Chicago. She comes to MECA from Claremont, California, where she taught contemporary art history and media studies, among other subjects, at Pomona and Pitzer Colleges. One of the founders of the Vermont College of Fine Arts, Marie brings with her more than 15 years of teaching experience.
Shurkus’ research interests are closely aligned with MECA’s educational philosophy and pedagogy. She explained, “My doctoral research was inspired by one of the fundamental insights that emerged from the development of digital technologies, namely that images exist separately from their material substrates. Embracing this insight, I examined the post appropriation strategies that developed in the late 1980s.” More recently, she has focused her efforts on “exploring how critical debates around representation have moved away from from a purely semiotic analysis of imagery, toward a more phenomenal understanding of the image as an immaterial form that motivates affect.” A product of this research was “Camera Lucida and Affect: Beyond Representation,” published in 2013 in Routledge’s Journal of Photographies.
Marie’s first order of business at MECA will involve an investigation into the academic side of the first-year experience. Having led the Visual Arts Program at Vermont College through both the accreditation process and the strategic plan, she is also prepared to work on assessment and the self-study. She will be reaching out to academic faculty, with whom she looks forward to collaborating and creating a seamless, rigorous liberal arts and art history core curriculum for the newly ordained (and newly combined) Academic Studies Program.
Joshua Reiman is an artist working in sculpture, film, video and photography. His work deals with themes of personal and cultural identity. He is interested in how a mythical narrative or factual history can stand in front of an artwork, and how that operates for an audience. His work involves “transforming realities and non-realities into a visual hybridation or synthesis of what is real, fake and imagined.” Josh is also a contributing writer for Sculpture Magazine; his most recent piece -- an interview with Janine Antoni -- is the cover story of the May 2015 issue.
For the last two years, Josh has been a Visiting Professor of Art in Sculpture, Installation and Site-work at Carnegie Mellon University and a Wimmer Teaching Fellow at the Eberly Center for Teaching Excellence. Prior to that, he was a visiting part-time faculty member at SMFA and an adjunct at Syracuse University. He has also worked extensively as a consultant and fabricator for the artists Matthew Barney, Keith Edmier and Tom Otterness on large-scale, epic sculptural projects. His own work has been shown internationally.
Josh is a dedicated and committed teacher, noted by his references to bring deeply engaged learning and innovative projects to the classroom.
For more information or to schedule an interview, please contact Raffi Der Simonian (firstname.lastname@example.org or 207.699.5010).
Scott Nash and Matt Barnes Create RED CLAWDE
Illustration Program Chair and Assistant Professor Scott Nash is collaborating with Matt Barnes to create a cartoon— RED CLAWDE. It will appear as a regular feature in Down East Magazine starting in July.
Art in Exodus: Selected Works
World Refugee Awareness week is scheduled from June 13th to June 20th.
Partners from all over Portland such as the City, Catholic Charities, Opportunity Alliance, Preble St, ILAP band together to support the event. WRD is celebrated annually on June 20th. This year to launch the event we will be having a festival at Deering Oaks Park on June 13th from 2 to 5. The family friendly event will bring people together from all over our community to engage in a community dialogue using side walk chalk, participatory events, henna, music, dance, and food.
From June 3-June 20
Porteous Front Window
Art in Exodus: Selected Works from Ali Shakir Alasadi, Eslaerides Ruiz, and Nawar Al Obaidi
Refugee Artist Reception
Friday, June 19, 5-7
Startup Weekend Women's Edition at MECA
Startup Weekend Women's Edition
Friday, June 12 - 14, 2015 Event starts at 5:30pm Maine College of Art Cafe 522 Congress Street Portland, ME 04102
Join us to explore your talents, break the rules, and experience starting a business with a team.
Startup Weekend: Women’s Edition is an adventure where women can explore their talents, break the rules, and work with a team to develop creative ideas into successful business plans.
Friday night begins with an open mic for 60-second pitches that results in small teams forming around the best concepts.
Teams spend Saturday and Sunday focusing on customer development, validating ideas, and designing prototypes with the help of experienced mentors (our coaches).
Sunday afternoon, teams pitch their ideas and receive valuable feedback from a panel of judges and prizes are awarded.
This panel brings together three talented and experienced designers who are applying their creative skills to business problems in very different ways. Brian Wilk from Hasbro develops games that mainly live in the physical world, Ben Jordan develops digital experiences for large clients, and Catherine D’Ignazio applies design and technology to improve civic engagement. Come hear where these three visionaries overlap in their approaches and experiences, and where they don’t!
Catherine D'Ignazio is an Assistant Professor at Emerson College, a Research Fellow at the Engagement Lab, and a Research Affiliate at the MIT Media Lab. She investigates how data visualization, technology and new forms of storytelling can be used for civic engagement. Her recent projects include the "Make the Breast Pump Not Suck!" hackathon, designing a water quality sensing toolkit for journalists, and leading performative walks to visualize climate change.
Her art and design projects have won awards from the Tanne Foundation, Turbulence.org, the LEF Foundation, and Dream It, Code It, Win It. In 2009, she was a finalist for the Foster Prize at the ICA Boston. Her work has been exhibited at the Eyebeam Center for Art & Technology, Museo d’Antiochia of Medellin, and the Venice Biennial. D'Ignazio received her MFA from the Maine College of Art
Ben Jordan is President & Director of Experience at nGen Works. Ben has 15+ years of digital design and development expertise, and is a valued industry consultant who has been sought out for his vision by major Fortune 500 companies including Whole Foods, American Airlines, Neiman Marcus and Apple.
Prior to nGen, Ben served in several design leadership positions, including VP of Customer Experience at InVision and Executive Creative Director at Credera, where he won multiple industry awards for his work. He boasts an eclectic skill set that he puts to use everyday building meaningful digital solutions to his clients toughest challenges.
Brian Wilk is the VP of Design and Development, Games Division at Hasbro Inc.
After almost twenty years in the field, there is hardly a type of game that Brian has not worked on. Some of the brands he's been involved with include Star Wars, Transformers, GI Joe, Playskool, Play Doh, Mr. Potato Head, Monopoly, Beyblade, Furby, Marvel Comics, Kre-O, Mighty Muggs, Attacktix, Spider-Man, Starting LineUp, Jurassic Park, RescueBots, Scrabble, Sesame Street, Risk, Operation, and the Game of Life.
Brian is currently responsible for gaming development across Hasbro, and leads a large team of the best designers and developers in the industry. His goal is to deliver the world's best gaming experiences based on customer insight, and he works with producers, writers, designers, developers, licensees, and inventors to bring Hasbro's products to market.
Brian loves his work because gaming brings play to kids and kids at heart of all ages all around the world, and is another way to tell stories and extend the experience of brands. For Brian and Hasbro, customer delight and maximum return on investment are one and the same.
SWARM is a permanent two-story typewriter installation within the Press Hotel located in Portland, Maine. SWARM is designed by artist Erin Hutton in collaboration with Artists at Work at Maine College of Art. SWARM features sixty two vintage typewriters acquired from Tom Furrier of Cambridge Typewriters in Arlington, MA. Spanning the era of the late 1800’s to 1960’s and are mounted in a circular swarm pattern. Condensed and dark machines toward the center, and lighter in color as they appear to move and spread across the wall. The swarm protrudes out into the space as it grows out from the swarm. Steel and wood mounts angle the typewriters out toward the viewer.
Erin Hutton '98 - Artist & Project Management John Nelson '12 - Steel Fabrication Nicole Farrand '11 - Wood Fabrication Sabrina Volante '14 - Design Assistant Matthew Doucette - Assistant
Portfolio Day 2015
On Friday, April 10, a group of 100 creative professionals and students gathered in the ICA at Maine College of Art to participate in Portfolio Day. The event, co-hosted by MECA and AIGA Maine, was open to MECA, SMCC and USM students majoring in graphic design, photography, illustration, and new media.
The event offered students the chance to share their portfolios with a broad spectrum of professionals ranging from creative directors, to independent artists, local publishers and in-house teams. Nearly 50 reviewers participated in the event, representing forty companies from the region, including three from neighboring New Hampshire. New participants this year included the visual effects studio Infusion Studios, mobile marketing firm Liquid Wireless, and the creative agency Kingspoke.
MECA student Alexander Brooks, who participated in Portfolio Day for the first time, said, “It was a huge learning experience for me, and a great opportunity to have a dialog about my work with professionals.” Brooks, a New Media major, reflected, “The feedback I got was useful and on point, and I was able to make connections to the game industry that led to a summer internship."
Portfolio Day is an ongoing collaboration between MECA’s Artist at Work program and AIGA Maine which began three years ago. Samantha Haedrich, Education Director for AIGA Maine and a faculty member at MECA, says, “It has been exciting to watch this event grow each year. From the perspective of both organizations, Portfolio Day is an opportunity to continue to expand the conversation surrounding creative excellence within Maine. I believe that professionals can play a key role in the development of student and recent graduates – whether by participating in an event like Portfolio Day, connecting through classroom experiences, hosting internships, or becoming a mentor.”
Portland Maine ~ A reception will be held on Friday, May 8th, from 6 to 8pm, to celebrate the opening of the MFA Thesis Exhibition. The work was created by students who are graduating from the Master of Fine Arts in Studio Arts program.
The show includes work from MFA students Laura Blair Bodden, Audra Christie, Stratton McCrady, Brandon Pierce, Alena Shaughnessy, Aaron Smith, and Matthew Tanzi. The MFA program granted students an interdisciplinary approach that encourages them to think across traditional academic boundaries and challenge their art practice and intellectual curiosity.
The 2014 MFA Thesis Exhibition will be open for viewing through May 31st: Wednesday – Sunday, 11am-5pm, Thursday until 7pm.
Laura Blair Bodden
The photographs and projection work in Laura Blair Bodden's series Thresholds exaggerates the time and space of twilight. In this body of work the liminal is explored as a space between spaces, as space of waiting. Bodden uses constructed sets to produce images that embrace the nature of the shadow landscape.
Audra Christie: Audra Christie has a hybrid art practice that utilizes process, encounter, engagement, community, and her experience living in rural Maine. Her social design practice and specifically the Tiny House Studio project seeks to stimulate interaction and foster a communal experience. Christie's work connects the viewer with the moment and acts as a reminder of the interconnectedness of humanity. The Tiny House Studio can be seen at MECA's green space, just down the street from the ICA.
Stratton McCrady: Following in the path of artists such as Diane Arbus and Henri de Toulouse- Lautrec, McCrady's project Acting Out: Performances, Debaucheries and Lies grew from the desire to study and to illuminate the fringes of local society and specifically the Burlesque community in the Portland area. He portrays the humor, sexuality, generosity, the curiosity and the beauty of his subjects.
Brandon Pierce: Brandon Pierce is a conceptual artist using elements of performance, self-experimentation, and drawing to explore the limits of rationality in the understanding of the self and its place in society. His current work is two-fold. In his performance work he is cataloging and exploring the nature of the barriers he imposes between himself and his identity as an artist. In his sculptural work he is exploring the physical and social effect that aesthetics, essentially his output as an artist, plays in the speciation and maintenance of social structures, particularly class.
Alena Shaughnessy: Alena Shaughnessy's work brings the outside world inside and makes the internal world visible. Her work is made of visual fragments of life to include outdoor pieces like skies, indoor pieces like carpet and in between pieces like doors. Time and space are altered. Shaughnessy's installations are domestic spaces that become universes.
Aaron Smith: Aaron Smith is a photographer and installation artist who makes phenomena visible by creating relationships between light, space object and the viewer. His Synergy project consists of small simple machines that manipulate light in order to change the way objects and space are perceived. The meditative state evoked by his work present viewers with realities that lie outside of their immediate physical grasp and can be accessed through their imaginations.
Matthew Tanzi: Matthew Tanzi's animations ask the question 'what dictates reality'— and specifically what are the differences between the invented realities put forth through the medium of film and our perceived realities in the physical world. His animation The Witlessly Automated Adventures of the Extra Ordinary Hectkor uses social satire and humor to allow the audience to consider these questions for themselves.
For more information or to schedule an interview with any of the featured artists, please contact Nicole Holmes (email@example.com).