Morrigan McCarthy ’07
I let my curiosity lead me.
How did you learn about Salt?
A photographer friend in Portland took me to the final show of the 2006 fall semester, when the photography was still black and white film! I had been shooting some weddings and portraits locally and thought that was going to be my career, but within 10 minutes of walking into that gallery I knew I wanted to be a journalist. I met Donna and some of the instructors and they encouraged me to apply. The rest is history.
What was your Creative and Career Path?
a. 0-2 years after graduation.
I went straight from Salt graduation to the Maine Media Workshops, where I spent the summer as a teaching assistant. In fall of 2007 I attended the Eddie Adams Workshop and used my connections from there and from MMW to get some freelance assisting gigs in and around New York City. I knew so little about the industry at that point, but through assisting photographers with even mundane-seeming things like organizing their archives and gear, driving them to shoots and helping them write emails, I got a better sense of how the world of photojournalism/documentary worked and what it would take to do it professionally.
b. 3-5 years after graduation.
My partner at the time and fellow photographer, Alan Winslow, and I wrote some grants and got corporate sponsorship to do a long-term project that would be turned into a touring show. We completed it, and then began planning a second one.
c. 5-10 years after graduation.
We did the second project, which took us three years to complete, and then turned it into a public art show. When we returned from traveling we lectured and shared the project widely, and after moving back to New York City, I began picking up some freelance photography work- starting through a connection I made at Salt! In 2015 I started at the New York Times as a photo editor, and that’s still what I’m doing today!
How would you describe the story of your professional path?
I would say that my professional path hasn’t been conventional or particularly straightforward, but I’ve always thrown myself into projects and ideas that I love, and tried to tell stories the best I can. I let my curiosity lead me, and tried to be open to the experiences.
What resources, tools, or organizations have you found helpful throughout your career?
There is no substitute for making friends in your field. It can be easy to slide into a place where you feel competitive with other photographers, but finding some folks that you trust and with whom you can openly share career information (like, how much did you get paid for that gig? What was that editor like to work with?) is absolutely the best resource out there. Plus, those are the people who will understand when you go through lows, be your cheerleaders when things are going well, and you’ll all be elevated for the relationship.
How did your experience at Salt help you find your first position after graduation?
Salt instructors were the ones who encouraged me to apply for the position at Maine Media Workshops! I’m sure I wouldn’t have even applied if it weren’t for Neil and Kate and Donna.
What would you look for if you were in a position to hire new graduates from Salt at MECA?
I would look for new graduates with a good eye for unique composition, solid technical skills and the ability to sniff out a good story. So many stories feel recycled- I love seeing new ways of telling old stories, or completely fresh-feeling stories about things that could have been ho-hum.
What advice might you have for current Salt students? For new Salt alumni?
Honestly, journalism is tough. You have to really love what you do and be willing to put in the time and effort. Don’t get frustrated. Stay humble. There is always more to learn and you can always make yourself better. Trust your gut and keep telling good, important stories truthfully as long as the medium inspires you.
Find more of Morrigan’s work here.