Inass Yassin MFA '19
I work to appropriate what is culturally and aesthetically perpetual and evident in my understanding. Using the language, in this piece, intends to create fluctuating meaning that aspires to release the language from any ideological charge.
About The Work
I was invited to take part in the inauguration exhibition of The Palestinian Museum in Birzeit. I finished my summer intensive course at Maine College of Art & Design in Portland and went back to Birzeit, which is 20 kilometers north Jerusalem, to install my new work in the garden of the Palestinian Museum as part of Jerusalem Lives. I worked with the museum staff and some friends to install the work and then the work came together as luminous words made out of light boxes that were suspended above the ground and surrounded with olive trees. The piece read "God Bless This Land Whether It Was Holy or Not". The work was installed in one of the orchards where the backdrop shows Jaffa and the Mediterranean Sea as if they are close to reach, but they are not.
In my previous works, I looked into cinema and photography as determinant components in Arab modern culture. In my studio, I work to appropriate what is culturally and aesthetically perpetual and evident in my understanding. Using the language, in this piece, intends to create fluctuating meaning that aspires to release the language from any ideological charge. It was articulated as twisted common daily pray that touches on faith and question dogmas.
The work reads clearly in the daylight and it gets dark, it lights up. It stands in the landscape, day and night with a changing scenery and changing mode of reading the piece. The “Adan”: call for prayer, from the neighbor mosques, the fog, the shadows of the trees, became part of reading the work and what it means. However the most surprising experience, was watching some sort of foxes who left their grottos in the last hours before the sunrise, to play among the artworks in the garden. They came very close to us while we were documenting the work, drinking tea with sage.
About The Artist
Inass Yassin has multifaceted practice that examines the modernity in the Arab culture, inspired by her personal reading of transformation. Shift in space and social structure has been main theme in her painting, installation, film and photography work, Yassin is a former director of Birzeit University Museum and a current Fulbright grantee at Maine College of Art & Design. Visit her site here.
About The Exhibition
Curated by Reem Fadda, Jerusalem Lives (Tahya Al Quds) opened on August 27. It was the first exhibition at The Palestinian Museum and will be on till 30th January 2017. The exhibition is participatory work, consisting of four chapters that examine the cultural, political, economic and ideological aspects of Jerusalem. The exhibit includes works by 48 artists; 18 works were large-scale commissions in the museum’s extensive gardens 'based on ideas about land, openness and non-exclusion'. The Jerusalem Lives exhibition attempts to study and examine the city of Jerusalem as a case study, a microcosm or condensed laboratory that metaphorically represents globalization and its failures, and to find answers that inspire us to struggle for a better future.
- A Garden of Possibilities at the Palestinian Museum by Hrag Vartanian, Hyperallergic
- Postcard from the West Bank by Mary Pelletier, Frieze
- E-Flux Jerusalem Lives Announcement
- Press Release of Jerusalem Lives
- Jerusalem Lives in Nafas Magazine