Artistic Excellence › Painting

Abstract painter and Chair of Painting Prof. Honour Mack places imagery outside of a didactic framework and finds “inspiration in questions that address the . . .

Opening with an artist reception on Friday, August 5 (5:00-8:00pm), Keeping Track of Time is a solo exhibition by Philip Brou at 3S Artspace in Portsmouth, New . . .

olivier ’19 recently installed their site-specific piece UFO Citing: A tribute to Lynn E. Catoe in the Joanne Waxman Library stacks, serving as the very first . . .

Dan Gillotte ’93 is “chief executive grocer," as he likes to call himself, of the Wheatsville Food Co-op, a grocery business with sales of $35 million in 2016. He also continues to paint and plays the . . .

Describe a body of work that you are currently working on. I am currently exploring the contrasts between my Bosnian upbringing and how moving to America created an intense shift in my personal development. . . .

By being involved in the gallery’s administrative aspects, I was able to not only work but witness, as well, how the multiple functions of a gallery come together. This included the gallery’s maintenance, . . .

Describe a body of work that you are currently working on. Overall my studio practice is focused on formalist abstraction; exploring the relationships between color, material, and shape. Currently I have been . . .

MECA&D, Portland School of Art Alum Matthew Blackwell '77 won a 2015 Guggenheim Fellowship. Often characterized as “midcareer” awards, Guggenheim Fellowships are intended for men and women who have already . . .

ON HIS ART I love the contradictory nature of painting. It is a language that constantly undermines itself. In my opinion, painting is not a discipline suited for finding solutions, but it is unbelievably . . .

With rudimentary English skills and a vague knowledge Portland, Ahmed Alsoudani fled his home in Baghdad, Iraq and arrived at Maine College of Art & Design. While working several jobs to support himself, he . . .

Honour Mack, Professor of Painting, during her most recent sabbatical, was able to focus exclusively on her painting practice and exhibiting her work. Her work was recently included in the group exhibition Sea . . .

When does the tipping point from private perception to an awareness of public perception occur in your work? How do you know this point has been reached? As a painter, I spend all of the creative process . . .

Sage Lewis ’04 earned her MFA in Painting and Drawing from Ohio State University (OSU) and in 2015 completed a 10-month Artist-in-Residence fellowship at Virginia Commonwealth University in Qatar, where, in . . .