Prof. Jim Flahaven takes students into the halls for some tape graffiti
On Tuesday, November 15, BFA students in Prof. Jim Flahaven’s Two-Dimensional Design course spent some time away from the elaborate and complex class exercises they . . .
On Tuesday, November 15, BFA students in Prof. Jim Flahaven’s Two-Dimensional Design course spent some time away from the elaborate and complex class exercises they . . .
In addition to teaching in MECA&D's Foundation and Continuing Studies Programs, Jennifer Brou is a knitwear designer. Her work is currently featured in . . .
We are thrilled to share that Benjamin Spalding MFA ’17, interdisciplinary artist and teacher for our Sculpture and Foundations departments, has a solo exhibition on . . .
Opening with an artist reception on Friday, August 5 (5:00-8:00pm), Keeping Track of Time is a solo exhibition by Philip Brou at 3S Artspace in Portsmouth, New . . .
Professor of Foundation Jim Flahaven participates in a two-person exhibition Repartee at Cove Street Arts Looking for your next gallery tour? Visit . . .
Ling-Wen Tsai Quiet Voids opens Friday March 11 at SPEEDWELL projects Join Professor of Sculpture, Foundation, and MFA Ling-Wen Tsai (蔡姈妏) . . .
Canandaigua is the Seneca word for “the chosen spot.” Pilar Nadal left Canandaigua, her hometown in Upstate New York, for her chosen spot: MECA&D. During her first visit, she was immediately drawn to both . . .
ON HIS ART I love the contradictory nature of painting. It is a language that constantly undermines itself. In my opinion, painting is not a discipline suited for finding solutions, but it is unbelievably . . .
What drives your need for/belief in service and public engagement? I am most interested in that intersection between a creative action and a social need. I am curious about how art can bring awareness, . . .
Adjunct Assistant Professor of Printmaking Michel Droge and students in her FY-In class, Climate Change and Maine Island Communities, partnered with The Island Institute to study climate change and its impact . . .