MECA&D’s Master of Fine Arts in Studio Art Program is pleased to announce the 2017 MFA Lecture Series, which brings a national and international roster of visiting artists, curators, and scholars to Portland, Maine. These Visiting Artists intersect with MECA&D’s eight-week MFA Summer Intensive, deliver a public lecture, attend critiques, and conduct studio visits with all graduate candidates.
All lectures in this series are hosted in Osher Hall and are open to the public at no charge. Seating is limited. Call 207.699.5010 for more information.
Monday, July 31 at 5:30pm
Born in Washington DC to a psychiatrist from Trinidad and a nurse from Jamaica, Sonya Clark’s work draws from the legacy of crafted objects and the embodiment of skill. As an African American artist, craft is a means to honor her lineage and expand notions of both Americanness and art. She uses materials as wide ranging as textiles, hair, beads, combs, and sound to address issues of nationhood, identity, and racial constructs. She has been a full professor and Chair of the Craft and Material Studies Department at Virginia Commonwealth University School of the Arts in Richmond, Virginia for over a decade. Formerly she was Baldwin-Bascom Professor of Creative Arts at the University of Wisconsin-Madison. She holds an MFA from Cranbrook Academy of Art and she was awarded their first Mid-Career Distinguished Alumni Award in 2011. She also holds a BFA from the School of the Art Institute of Chicago. In 2015 she was awarded an honorary doctorate from her alma mater Amherst College where she received a BA. She has exhibited her work in over 300 museums and galleries in Europe, Africa, Asia, Australia, and the Americas. She is the recipient of several awards including an Anonymous Was a Woman Award, an Art Prize Grand Jurors co-prize, a Pollock-Krasner Grant, a Smithsonian Artist Research Fellowship, a Rockefeller Foundation Bellagio Fellowship in Italy, a BAU Camargo Fellowship in France, a Red Gate Residency in China, a Civitella Ranieri Residency in Italy, an 1858 Prize for Contemporary Southern Art, a United States Artist Fellowship, and an Art Matters Grant. Her work is in the collections of the Philadelphia Museum of Art, National Museum of Women in the Arts, Indianapolis Museum of Art, Virginia Museum of Fine Art, Musees d'Angers in France among several other institutions. Several publications have reviewed her work including the New York Times, Philadelphia Inquirer, Italian Vogue, Los Angeles Times, Hyperallergic, and Huffington Post.
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