The seven-month CAP apprenticeship offers concentrated peer-to-peer learning experiences for apprentices who demonstrate a commitment to further their abilities as specialized craft practitioners. They will accomplish this through a significant relationship with a master artist. The program will also serve to celebrate the role of the master/apprentice relationship as a way to generate creative entrepreneurship through the cultural sector. It addresses the need for developing sustainability and resiliency in the craft sector by allowing craft artists to acquire new skills, tools and management habits that help them adapt to the changing environment of craft consumers. CAP offers support and guidance from the MCA and MAC, as well as, honorariums to both master and apprentice. The program concludes in October with a exhibition and alumni gathering during Maine Craft Weekend and Maine International Conference on the Arts in Lewiston.
The number of applicants to the inaugural year of CAP exceeded expectations leaving a difficult task to the 2016 CAP jurors: Carolyn Hecker, MCA Founder and Gallery Director Pearson Legacy Gallery (Deer Isle), Ian Anderson, Vice President of Academic Affairs and Dean of the College MECA&D (Portland) and Barbara Michelena, Founder and Curator, CRAFT (Rockland).
Meet the 2016 Master / Apprentice Pair
As a child, Anne Emlein spent summers in Phippsburg, ME with her grandmother, who inspired her to pursue a fiber arts degree. She earned a BFA in Textiles from the California College of Arts and Crafts in 1981 and purchased her first knitting machine shortly after. She went on to earn a Certificate in Discipline‐Based Art Education from the Getty: California Consortium for Arts Education, Crocker Art Museum (Sacramento, CA) and an MFA in Textiles from the Rhode Island School of Design. Her work has been exhibited in numerous regional and national craft shows and museums, and she is the founding director and program chair of the Textile and Fashion Design Department at the Maine College of Art & Design (MECA&D), where she has been teaching since 2012.
“I remember as a small girl watching the lobstermen sitting around the general store knitting mittens and trap heads. I began to understand that self-sufficient Mainers had their own answers to labor and climate needs, and that knitting is a part of our past, present and future-culturally and economically. “ Anne Emlein
Anneli Rose Allard, who goes by Rose, spent much of her childhood in her Finnish grandmother’s sewing room in eastern Connecticut. Anne Emlein’s Introduction to Machine Knitting course at the the Maine College of Art & Design (MECA&D) transformed her path as an artist and Rose “hasn’t had a knit-free day since.” She earned her BFA from MECA&D in 2014, and currently teaches at MECA&D and throughout Portland.
“I am fascinated by the history of knitting and the concept of one continuous thread to make an entire garment. The medium lends itself to my exploration of my Finnish heritage and love for Scandinavian design. I see blending yarns on the knitting machine as another form of painting.” Rose Allard