MECA&D’s Visiting Artist & Guest Lecturer Series invites professional artists, educators, curators, thought leaders, and creative entrepreneurs to present on topics of interest and importance to the MECA&D community.

Past Visiting Artists

2021-2022

Hannah Epstein**

The Gary Ambrose Sculpture Series
Monday, September 13 (6:30-7:45pm)
Via Zoom

 

Hannah Epstein (b.1985) is a techno-humourist & fyberspace artist. She holds an MFA from Carnegie Mellon University (2017) and a B.A in Folklore & Religious Studies from Memorial University (2009). 

Raised in Halifax, Nova Scotia, Epstein was nursed by a Zenith television set and a Latvian grandmother. The sharp contrast between the saturated images on television and the tragic retelling of family history, launched a lifetime obsession with popular forms of entertainment as remedy and escape. 

Using a folkloric lens, Epstein is devoted to highlighting the cultural negotiation between bottom-up (folk-to-commodity) and top-down (institution-to-mashup) storytelling. In her work, she continues to cultivate a visual vocabulary of cartoon and pop culture images that resonate with archetypal figures of the collective unconscious – taking the traditional east coast craft of rug hooking and modifying it for contemporary contexts. She often uses video game technology and imagery to develop a world of characters that playfully reflects our own. Epstein is currently represented by Steve Turner Gallery, Los Angeles.

Artist Website: https://www.han.ski/

Funded through a generous gift from Dr. Edward M. Friedman ’08 and Carole J. Friedman, in honor of Sculpture Professor Emeritus Gary Ambrose.

 

Maria Molteni**

The Gary Ambrose Sculpture Series
Monday, September 27 (6:30-7:45pm)
Via Zoom

 

This lecture is co-presented with the Portland Society for Architecture.

Maria Molteni (They/She, b 1983, Nashville) descends from white Europeans who immigrated to the US and settled in Tennessee as farmers and later small business owners. They are the grandchild of competitive square dancers, stunt motorcyclists, quilters, beekeepers and opera singers. Today Molteni is a Boston-based multimedia & performing artist, educator & mystic. Their practice has grown from traditional, formalist roots, studying Painting, Printmaking and Dance at Boston University, to incorporate research, social engagement and collaboration. They pull from a well of historical contexts, reimagining traditional narratives for visionary revolution. They playfully ask audiences to imagine them as the PE coach at Black Mountain College. 

In 2010 They launched the international collective New Craft Artists in Action which pioneered the field of basketball court “murals” and published the instruction manual “Net Works: Learn to Craft Handmade Basketball Nets for Empty Hoops in Your Neighborhood”. They co-founded the participatory project Festooning the Inflatable Beehive while studying with beekeepers from across the country, including Treatment Free Apiculturalists Golden Rule Honey and Queer/Trans-run apiary They Keep Bees. 

Since living on the East Coast, they have also developed a passion for the sea, its mysterious ecosystems and island lore. They have addressed their relationship to feminist and queer identities via Mermaids, Anglerfish, Moon Jellies and other nautical “species” in collaborative performances such as They Were Sunbeams…, Aurelian Baptism and There Are Plenty of Single Ladies in the Sea. They currently live and work on the Boston Harbor in Midway Artist Studios and enjoy their membership of the Boston Rowing Center on their neighborhood’s Fort Point Channel.

Artist Website: http://www.mariamolteni.com/

Funded through a generous gift from Dr. Edward M. Friedman ’08 and Carole J. Friedman, in honor of Sculpture Professor Emeritus Gary Ambrose.

 

J. Morgan Puett**

The Gary Ambrose Sculpture Series
Monday, October 4 (6:30-7:45pm)
Via Zoom

 

J. Morgan Puett was born in Hahira, Georgia, in 1957. She received her BFA in painting and sculpture in 1981; then an MFA in sculpture and experimental filmmaking from The School of the Art Institute of Chicago in 1984. Puett is a transdisciplinary creative producer with accomplished work in installation art practices, clothing/furniture design, architecture, film, photography, and more – rearranging these intersections by applying conceptual tools, including research-based methods. Morgan’s early work forged new territory by intervening into the fashion system with a series of storefront installations and clothing/dwelling/event projects in Manhattan in the eighties and nineties. These experiences led her to produce a long series of art installations about the histories of the needle trade systems in museums worldwide. Puett is the architect of The Mildred’s Lane Project (since 1997), which continues to forge new ground citing that being is profoundly a social and political practice. 

Puett received several awards, including the Magdalena Abakanowicz Arts and Culture 2019, John Simon Guggenheim Memorial Foundation 2016, the Pollock-Krasner Foundation 2016, the Brown Foundation Fellowship/Dora Maar, the John and Marva Warnock Foundation 2014, the United States Artists 2011, the Smithsonian Institution Artist Research Fellowship 2009, the Anonymous Was A Woman Award 2005, the PEI in Philadelphia 2005.

Puett exhibits, lectures, and teaches extensively in venues that include MoMA, New York (2012-13); Musashino Art University, Tokyo (2012); Contemporary Art Center, Tbilisi, Republic of Georgia (2012); Creative Time, NYC (2011); Queens Museum of Art, NYC (2010); MoMA, NYC (2010); The School of the Art Institute of Chicago (2008); University of Venice, Italy (2005); American Fine Arts Co., NYC (2004); ARTEX, Arnheim, Netherlands (2004); WaveHill, Bronx, NYC; The Fabric Workshop and Museum of Philadelphia (2003-4); Mass MoCA, Ma. (2004); Spoleto, USA, Charleston, SC, (2002); The Serpentine Gallery & Victoria and Albert Museum, London (2001). Her artworks are in the Tate Modern in London, The Fabric Workshop and Museum of Philadelphia, and The Museum of Fine art, Philadelphia, amongst other collections. Her curatorial projects include Mildred’s Lane Sessions, The Mildred Complex(ity) Project Space, and A Guide to the Field Projects.

Artist Website: http://www.jmorganpuett.com/

Funded through a generous gift from Dr. Edward M. Friedman ’08 and Carole J. Friedman, in honor of Sculpture Professor Emeritus Gary Ambrose.

 

Eneida Sanches

The Gene R. Cohen Charitable Foundation Series
Thursday, October 7 (6:00-7:00pm) Zoom only
Via Zoom

 

With a degree in Architecture from the Federal University of Bahia (UFBA). Her return to the visual arts was inspired by her interest in the tools for working with brass and copper for religious purposes when she was an apprentice to the Bahian master toolmaker Gilmar Conceição. Starting in 1992, she began exhibiting these objects in art galleries in and outside of Brazil.

In 1997, as an auditor in the Master’s program at UFBA and, subsequently, through workshops at MAM Bahia, Sanches would bring these different forms of constructive thought together. The combination of architecture, the tools of the orisha and the metal etchings are what has allowed her to make works like those exhibited in Transe, deslocamento de dimensões. Sanches’ production explores the idea of Trance as a religious phenomenon and the collective social representation of Afro-Bahian culture and its histories. Her iconographic repertoire originates in the universe of Candomblé ritual and its functional order. Her ten thousand prints result from hundreds of copper plates and the convergence of the functional limits of etching and sculpture.

Artist Website: https://indigoartsalliance.me/artists/eneida-sanches/

Funded through the generous support of the Gene R. Cohen Charitable Foundation.

 

Yazan Khalili, Medusa, installation, 2020. Photo: KW Institute for Contemporary Art, Berlin

ICA Panel – Monitor: Surveillance, Data, and the New Panoptic

Thursday, October 21 (6:00-7:30pm) Zoom only
Via Zoom

 

Artists in the exhibition Monitor: Surveillance, Data, and the New Panoptic at the ICA at Maine College of Art discuss their work and how they contest and transform surveillance (virtual).
Screen reader support enabled.

Website: https://www.meca.edu/about/institute-of-contemporary-art/coming-soon/monitor-surveillance-data-and-the-new-panoptic/

 

Yazan Khalili

The Gene R. Cohen Charitable Foundation Series
Thursday, November 4 (12:00-1:00pm) Zoom only
Via Zoom

 

Born 1981, Yazan Khalili lives and works in and out of Palestine. He is an architect and visual artist. His works has been exhibited in several major exhibitions, including among others: New Photography, MoMA 2018, Jerusalem Lives, Palestinian Museum, 2017, Post-Peace, Kunstverein Stuttgart 2017, Shanghai Biennial 2016, Sharjah Biennial 2013.

Yazan Khalili received a degree in architecture from Birzeit University in 2003 and in 2010 received his MA degree from the Centre for Research Architecture at Goldsmith’s College, University of London, and in 2015 his MFA degree at Sandberg Institute, Rietveld Academy, Amsterdam. He was one of the founding members of Zan Design Studio (2005-2010). He was a finalist in the A. M. Qattan Foundation’s Young Artists Award (YAYA 2006). He was the production coordinator for Sharjah Biennials 9 & 10, and the technical director of the inaugural exhibition of the Palestinian Museum “Jerusalem Lives”. He curated (YAYA 2012), The City | The Image symposium with Goethe Institute, Ramallah 2012, The Long Journey exhibition, working with the UNRWA Audio-Visual archive for Palestine refugees, in 2013, and in 2015 he co-organized Walter Benjamin in Palestine workshop and symposium. He is the winner of Extract V young artist prize 2015. Currently he is a visiting lecturer at the media department at Al-Quds Bard college, and since September 2015 Yazan has been the artistic director of Khalil Sakakini Cultural Centre.

His writings and photographs have been featured in several publications, including among others Assuming Boycotts, WDW Magazine, Kalamon, Manifesta Journal, Frieze Magazine, Race & Class, C-Print, Ibraaz, Contemporary Art: World Currents, and Subjective atlas of Palestine. In 2009, alongside Lara Khaldi, Khalili co-curated We Were Never Heroes as part of the Jerusalem Show, and the film and video programs; Cinema of Independence 2009 and In The Name of the Father 2011 at the Arab Shorts Festival presented by the Goethe Institute, in Cairo.

Artist Website: http://www.yazankhalili.com/

Funded through the generous support of the Gene R. Cohen Charitable Foundation.

 

 

 

 

Photo courtesy of Museum Villa Stuck. Photo: Barbara Donaubauer

Lee Mingwei**

The Gary Ambrose Sculpture Series
Monday, November 8 (12:00-1:00pm) Zoom only
Via Zoom

 

Born in Taiwan in 1964 and currently living in Paris and New York City, Lee Mingwei creates participatory installations, where strangers can explore issues of trust, intimacy, and self-awareness, and one-on-one events, in which visitors explore these issues with the artist through eating, sleeping, walking and conversation. Lee’s projects are often open-ended scenarios for everyday interaction, and take on different forms and change over the course of an exhibition.

Lee received an MFA from Yale University in 1997, and has held solo exhibitions internationally including at Whitney Museum of American Art (1998), Isabella Stewart Gardner Museum (2000, 2012), The Museum of Modern Art (2003), Los Angeles County Museum of Art (2004), Queensland Gallery of Modern Art (2008), Brooklyn Museum (2011), Mori Art Museum (2014), Museum of Fine Arts, Boston (2015), Taipei Fine Arts Museum (2015), The Metropolitan Museum of Art (2015, 2020), Centre Pompidou (2017, 2018), Gropius Bau (2020), Museum Villa Stuck (2021) and has been featured in biennials in Venice, Lyon, Liverpool, Taipei, Sydney, Whitney, and Asia Pacific Triennials.

Artist Website: https://www.leemingwei.com/

Funded through a generous gift from Dr. Edward M. Friedman ’08 and Carole J. Friedman, in honor of Sculpture Professor Emeritus Gary Ambrose.

 

Ghada Amer

The Gene R. Cohen Charitable Foundation Series
Thursday, November 18 (6:00-7:00pm)
Via Zoom

 

Ghada Amer was born in Cairo (Egypt) in 1963. In 1974, her parents relocated to France where she began her artistic training ten years later at Villa Arson, Nice, France. She currently lives and works between New York and Paris and has exhibited among others at the Venice Biennale, the Sydney Biennale, the Whitney Biennale, and the Brooklyn Museum.

I believe that all women should like their bodies and use them as tools of seduction,” Amer stated; and in her well-known erotic embroideries, she at once rejects oppressive laws set in place to govern women’s attitudes toward their bodies and repudiates first-wave feminist theory that the body must be denied to prevent victimization. By depicting explicit sexual acts with the delicacy of needle and thread, their significance assumes a tenderness that simple objectification ignores.

Ghada Amer continuously allows herself to explore the dichotomies of an uneasy world and confronts the language of hostility and finality with unsettled narratives of longing and love.

Ghada Amer’s work addresses first and foremost the ambiguous, transitory nature of the paradox that arises when searching for concrete definitions of east and west, feminine and masculine, art and craft. Through her paintings, sculptures and public garden projects, Amer takes traditional notions of cultural identity, abstraction, and religious fundamentalism and turns them on their heads.

Artist Website: https://ghadaamer.com/

Funded through the generous support of the Gene R. Cohen Charitable Foundation.

 

American Artist

The Gene R. Cohen Charitable Foundation Series
Thursday, December 2 (12:00-1:00pm)
Via Zoom

 

AMERICAN ARTIST makes thought experiments that mine the history of technology, race, and knowledge production, beginning with their legal name change in 2013. Their artwork primarily takes the form of sculpture, software, and video. Artist is a 2021 LACMA Art & Tech Lab Grant Recipient and a resident at Smack Mellon in Brooklyn.

They are a former resident of Red Bull Arts, Recess, EYEBEAM, Pioneer Works, and the Whitney Museum Independent Study Program. They have exhibited at the Whitney Museum of American Art; MoMA PS1; Studio Museum in Harlem; Museum of Contemporary Art Chicago; and Nam June Paik Center, Seoul. They have had solo museum exhibitions at The Queens Museum, New York and The Museum of African Diaspora, California.

Their work has been featured in the New York Times, Artforum, and Huffington Post. Artist is a 2021 Regents’ Lecturer at UCLA and teaches critical theory at the School for Poetic Computation.

Artist Website: https://americanartist.us/work

Funded through the generous support of the Gene R. Cohen Charitable Foundation.

2014–2015
2013–2014
2012–2013