Jeffrey Clancy is a visual artist, designer and educator whose studio practice is informed by historical and traditional craft practices and theory. Clancy is represented by Gallerie Elisa Plateau, Brussels, Belgium, has been awarded The Society of Arts and Crafts Artist Award, Boston, MA. Recent exhibitions include Vestige, a solo exhibition at Gallery 37-A, Portland, ME; Art Brussels, 2010; Generously Odd: Craft Now, Lexington Art League, Lexington, KY; Re-make / Re-model, National Ornamental Metal Museum, Memphis, TN; Exterior / Ulterior National Ornamental Metal Museum, Memphis, TN; “Exhibition in Print 2010, Neo-Palatial: A Curatorial Imaginarium,” Guest Curator Garth Clark, Metalsmith Magazine.
Elizabeth Jabar is a print based artist and her hybrid works on paper explore ideas of ethnicity and heritage. In her printed assemblages and artists books she displays a highly personal visual language, incorporating cultural motifs from folk art, religious traditions and textiles. Her works have been shown at galleries and museums nationally and internationally, including Victoria Arts Connection, Victoria, BC, Canada, National Gallery of Art, Ulaanbaatar, Mongolia, Pyramid Atlantic, Rhode Island School of Design, Montserrat College, Colby College Museum of Art, The Institute of Contemporary Art at Maine College of Art, The Center for Maine Contemporary Art, University of New England, La Jolla Fiber Arts, La Jolla California, New York and The Center for Book Arts, New York, New York. Her work was recently published in 50/ 50 A Survey of Contemporary Printmaking.
Colleen Kinsella’s primary focus is split between printmaking and music. Her work has been published on over twenty-five album covers. She and her partner, who are known for their one-of-a-kind art and music production, began the group Big Blood and started Dontrustheruin Records out of their home. Her work was selected for this year’s Biennial at the Portland Museum of Art and was featured on the catalogue cover. She has shown at the International Print Center in New York; Dean Johnson Galley, Indianapolis, IN; Seattle’s Wall of Sound, Columbia College, Chicago, IL; and the Southern Graphics Council, Chicago, IL.
Adam Manley earned his BA in International relations and Political science from the State University of New York at New Paltz, with a studio art minor focused on furniture making and design. During this time, Adam worked assisting local furniture makers and sculptors, and maintained his own commission and exhibition based studio practice. He recently finished his MFA in Furniture and Wood at San Diego State University, focusing primarily on large scale sculptural works. Adam has also studied and assistant taught at the Haystack Mountain School of Craft in Deere Isle Maine. His work has recently been exhibited widely in the San Diego CA area, including exhibitions at the San Diego Museum of Art, The Oceanside Museum of Art, Art Produce, and the SDSU Downtown Gallery. Adam has also exhibited work in Texas, New York, and Boston.
Gail Spaien has been granted numerous awards and fellowships including the New Hampshire Charitable Foundation Artists Advancement Grant, the Maine Arts Commission Good Idea Grant and Artist Visibility Grant, the Djerassi Foundation Resident Artists Program in Woodside, CA, Millay Colony for the Arts in Austerlitz, NY and, the Skowhegan School of Painting and Sculpture. Gail’s exhibitions include the DeCordova Museum of Contemporary Art, in Lincoln, MA, Center for Maine Contemporary Art in Rockport, ME, San Jose Institute of Contemporary Art, in California, Crocker Art Museum, in Sacramento, CA, the Portland Museum of Art, the Institute of Contemporary Art in Portland, Maine, and the Colby College Museum of Art in Waterville, Maine. She is represented by Aucocisco Gallery in Portland, Maine, Miller Block Gallery in Boston, MA and the William Scott Gallery in Provincetown, MA.