On view from April 5 – 26, 2019
Exhibition Opening: Friday, April 5, 2019, 5:00–8:00pm
Institute of Contemporary Art at Maine College of Art & Design
ICA Gallery hours: Wed–Sun, 11:00am–5:00pm, Thurs, 11:00am–7:00pm, Friday, 11:00am–5:00pm, (FFAW until 8:00pm)

Visual Tensions is a collaborative photography project that brings community members together with members of law enforcement. African American photographer Séan Alonzo Harris creates photographic portraits as a means to foster relationships and build bridges between people of color with members of law enforcement. The project provides a platform to cultivate mutual respect and transform our images and perceptions of others.
This project is supported in part by The Kindling Fund, SPACE Gallery grant program.

The artist and project participants will lead a public panel discussion and community conversation about the Visual Tensions project in the ICA on April 18, 2019. Click here to learn more.

Parasitic Honeyshoes is a testimony to the colonization of the material and spirit world. It is intended for an audience to see in 15 years, implying that our present is responsive to the future. It is a cosmic sh!t accountable to another reality.

The parasitic behavior of the human species is a form of cannibalism, we consume to sustain a false reflection.  We are not living, but currently surviving in a capitalist ecosystem, negotiating a spiritual crisis deeply founded on centuries of exploitation and extraction.
To learn more about Greta Bank, visit gretabank.com.

“Letting Yourself Go” is a new project by Philip Brou investigating ideas of selfhood, power, and the human condition. The project is rooted in a critical examination of the famous story of Polyphemus, the cyclops from Homer’s Odyssey. In Odysseus’ epic journey to return home, he and his men are held captive in Polyphemus’ cave. As part of a plan to free himself, Odysseus concocts a lie: he tells Polyphemus that his name is Nemo, which translates to Nobody. The presence of the Nobody, as a persona used to escape captivity, dismantle the archetype of the hero, and confront the ego, is at the core of Brou’s project. Although the work is rooted in a story from ancient times, its layered messages resonate today. “Letting Yourself Go” consists of paintings, drawings, sculptures and found objects. All works in the exhibition function as either portraits or utterances of Nemo, which is to say: portraits or utterances of Nobody.


Header Image: Philip Brou, i (cropped), 2017