MECA to Participate in Press Conference and Public Forum on Mural Removal
Maine College of Art is one of the sponsors of the press conference in Augusta to speak about the need to return artist Judy Taylor's mural to the Department of Labor in Augusta. MECA President Don Tuski will give brief remarks. The press conference and rally will take place in the Hall of Flags in Augusta at noon on April 4.
In addition, the College is one of the sponsors of the public forum entitled “Whose Art Is It?” at the Portland Museum of Art. This will be a round-table discussion about public ownership of public art and the controversial removal of the mural from Maine’s Department of Labor. Participants will include: Mark Bessire, Director of the Portland Museum of Art; Sharon Corwin, Director and Chief Curator of the Colby College Museum of Art; Christina Bechstein, Sculpture Professor and Director of Public Engagement at Maine College of Art; and Chris O’Neil, Government Relations Consultant for the Portland Community Chamber. Invitations were extended to Governor Paul LePage, who is unable to attend and to artist Judy Taylor, who has respectfully declined. A moderator for the forum will be announced next week. This free event is co-sponsored by the Portland Museum of Art, Colby, Bates, and Bowdoin college art museums, and the Maine College of Art. The discussion takes place at the museum on Friday, April 8, from noon to 1:30 p.m.
Visiting Monks to Construct Sand Mandala for Compassion
The Joanne Waxman Library is honored to host Geshe Gendun Gyatso, a Tibetan Buddhist monk, and Sonam Dhargyal, a former monk and mandala master, while they create "A Sand Mandala for Compassion." Co-sponsored by MECA and the Chaplaincy Institute of Maine and coordinated by Joan Uraneck in her role as MECA's Intern Chaplain, this event involves the creation of multi-colored sand mandala in the library. The schedule of activities from April 11 to April 17:
Opening ceremony and prayers for peace April 11th at 2 pm
Daily schedule for April 12 -16 Morning prayers: 8:30am Mandala creation: 9 am to 4:30 pm Evening prayers : 4 pm Dharma talks: 7 pm in Osher Hall
The Closing ceremony and procession to the sea April 17th at 2 pm: outside the library
MECA Responds to Mural Removal
Maine College of Art believes that art and artists play a critical role in society. The removal of the mural from the Department of Labor in Augusta illustrates just how powerful art can be: it can incite controversy, galvanize communities, inspire dialogue, and serve as a catalyst for social change.
As part of their arts education at MECA, our students learn to understand and respect process because it is a crucial component of any civil society.
Governor LePage’s demonstrated lack of respect for the process of commissioning artwork is an act of censorship.
In the original call for art, the Department of Labor asked for a mural in which “the value and dignity of workers and their critical role in creating the wealth of the state and nation should be emphasized. In essence, Maine workers should strongly be portrayed as more than an ‘impersonal cost of production.’” It was the responsibility of the art review committee, consisting of representatives from the Department of Labor, to select the proposal which best met these criteria. They selected Judy Taylor who created the site-specific artwork depicting the requested theme.
Four years later, newly elected Governor LePage reacted to the content of the mural calling it “one-sided” and had it removed it from the lobby of the Department of Labor and asked instead for a neutral decor. Art is not decoration, nor is it neutral. It is provocative and should elicit a response from individuals. It is not created to please all who view it. Art, like democracy, allows for differing opinions, for discourse, for expression of personal beliefs.
Art serves as a mirror that reflects a moment in time. This mural captures a piece of history. Governor LePage did not like what he saw. By removing the mural, he smashed that mirror – an attempt to rewrite history.
This public mural is meant for the people of Maine. Maine College of Art requests that Governor LePage respect the process by which the artwork was selected and installed. Put the mural back.
Donald L. Tuski, Ph.D. President Maine College of Art Portland, Maine
Illustration Student Work in Maine Magazine
Illustration professor Mary Anne Lloyd wanted to give her students professional experience. While classroom assignments are helpful for building skills, she knew that real world assignments would provide a different lesson. So she contacted Ashley O'Brion, the art director of Maine Magazine, to see if there was a chance to collaborate.
Ashley said, "Mary Anne Lloyd pitched the idea to me and I loved it. Our magazine is all about mirroring the talents of the state. We see MECA as an incubator of young talent and wanted to find a way to incorporate the junior Illustration class into a spring issue. Our April poetry section was perfect because we had three opportunities for students' work to be featured. Not to mention, we all know that real world experiences are some of the best tools for teaching."
In the classroom, students create draft illustrations, review them with their professor and peers in a critique and then incorporate feedback to present the next draft. Sometimes that feedback means reworking an existing sketch, other times it means going back and starting from scratch on a whole new idea.
Ashley came to the classroom and asked each student to do three concept sketches. She gave feedback and chose one concept from each student to work into a final piece. She said, "One student created a sketch that I loved. When I received the final, it was a completely different piece. In a classroom situation, not dealing with clients or art directors, that can fly, but in real life, it doesn’t. We sent the student back, over HIS weekend to the drawing board to get that perfect portrait we had seen in his sketches. I think through that experience, he learned how important it is to listen to feedback and incorporate it. It can mean losing a job. As an illustrator, you have to be adaptable. Sometimes you’ll disagree, but at the end of the day, you’re often working for someone, not yourself, and to keep money in the bank, you have to be tuned into your client’s feedback."
In the end, all fourteen juniors submitted sketches. Wyatt Barr, Bridget Dunigan, and Mike Grass were selected to illustrate the article on national poetry month.
ICA Screens Film on Women Pop Artists
As part on their ongoing film screening series for the year, the ICA at MECA will show the documentary "Seductive Subversion: Women Pop Artists, 1958–1968."
Made as a companion to the traveling exhibition of the same name, the film reflects the depth of women's contribution to the Pop Art movement. Featured artists include Pauline Boty, Faith Ringgold, Marisol Escobar, Idelle Weber and Niki deSaint Phalle.
The film, along with another video by Amsterdam-based artist Maria Pask, will be shown on March 24 at 6pm. Originally scheduled to screen in the ICA at MECA, it will now be shown in Osher Hall.
Students Participate in Blue Wrap Project
Maine College of Art students will participate in Blue Wrap Project Runway. The project aims to raise funds and awareness about the health care system locally and globally. Maine nurse Elizabeth McLellan is the founder of Partners for World Health, an organization that salvages discarded medical supplies and delivers them to third world countries. One such discarded medical supply is blue wrap, a fabric that is used to keep surgery tools protected and sterilized. Once the tools are used, the wrap is discarded. Thousands of tons are discarded annually. Partners for World Health worked with the local arts community to repurpose the blue wrap into objects of art, design and fashion for a fundraiser. Students were presented with the challenge: What can artists, citizens and problem solvers do to work with this material that will be around for a long time? How to make it beautiful and useful so that in the long term we can prevent the plastic material from clogging up the landfills? Students worked with local designers to create sculptural flowers and vines that will garnish the entryway to the Blue Wrap Project Runway show.
Blue Wrap Project Runway takes place at the Portland Museum of Art on March 30 at 6pm. Admission is $50 and all ticket sales are in advance. To buy your ticket please visit partnersforworldhealth.org or call 207.885.1011. No ticket sales at the door. All funds raised will go towards the purchase of medication for the third world.
Phil Goldberg will give a talk about his new book, just out from Doubleday, "American Veda: From Emerson and The Beatles to Yoga and Meditation, How Indian Spirituality Changed the West". This will be a fun talk about Goldberg's look into the popular history of how Hinduism has influenced American culture, in the past and right now. The talk will be followed by a book signing. This event is co-sponsored by the Academic Studies Department at MECA, The Chaplaincy Institute of Maine, Sadhana Meditation Center, and Longfellow Books. The talk will be held in Osher Hall on March 28 at 7pm. Admission is free.
Students Participate in Craftboston
Woodworking & Furniture Design students will work with faculty member Matt Hutton during the month of March to prepare a booth for Craftboston. Presented annually by the Society of Arts and Crafts, this event features 200 contemporary craft artists. Craftboston brings together the finest professional artists working in craft today, emerging artists from leading schools and universities, international artists, book sellers, non-profit craft organizations and educational lectures. The show will take place March 25-27, 2011 at Boston’s Seaport World Trade Center.
Image: Painted ash piece by junior John Nelson.
Illustration Student Exhibition at Art Haus
Eleven Illustration seniors will exhibit their work at Art Haus on Pleasant Street in Portland. The show "10 x 10 by 11" includes work by Alysa Avery, Seamus Doherty, Thomas Dowling, Erica Gammon, Juliana Lawrence, Cynthia Norrie, Briana Ring, Joe Rosshirt, Elise Smorcewski, Lori Stebbins and Bret Weese. All work is 10 x 10 inches. Styles are diverse and evidence a broad range of interests and formats. Imaginary and invented creatures and characters, landscapes and figures in watercolor and acrylic paint, digital media, and three dimensional sculptured objects are among illustrations in various formats such as editorial, children's book, cartoon, representational, horror, and fantasy.
Visiting Artist: Sara Singh
Artist Sara Singh will screen her documentary "The Sky Below" in Osher Hall on April 7 at 3:30pm. The film is a contemporary exploration of the creation of Pakistan and the 1947 Partition of the Indian Subcontinent. weaving together 5000 years of culture, while investigating the lingering after-effects of this six-decade old political divide, most tragically witnessed by Kashmir. With her life in the hands of strangers and sometimes gunmen, Singh traveled from the desert of Kutch to the snowy mountains of Kashmir; and from the seaside city of Karachi to the spare but volatile terrain of the Khyber Pass.
Photo Students in Boston Exhibition
Four MECA photographers were juried into the Photographic Resource Center Student Exhibition in Boston. Students Emma Sampson, Beatrice Abbott, Gabriella Sturchio, and Graham Almstead will display work at PRC from April 14 through May 8. The show highlights student photography from colleges and universities throughout New England.
Image credit: Emma Sampson
Professor Jamie Hogan Illustrates New Book
Professor and Peaks Island resident Jamie Hogan illustrated "Ice Harbor Mittens," a Maine tale of adventure on the sea by author Robin Hansen. Hansen, who was born on Great Diamond Island, wrote the book about the connection between knitting and island life. Hogan's original illustrations for the book are on display at Knit Wit in Portland until March 13. Both Peaks Island and Great Diamond Island can be accessed by taking the Casco Bay Ferry, located in downtown Portland. "The folks here and icy waters were great inspiration for my art for Ice Harbor Mittens," said Hogan.
Visiting Artist: Ellen Driscoll
Visiting Artist Ellen Driscoll will give a free pubic lecture on March 11 at 6pm in the ICA at MECA. Driscoll's sculptures, drawings, and installations explore resource consumption and material lineage. Her latest multi-part, multi-year project, FASTFORWARDFOSSIL highlights the relationship between water and oil consumption and was displayed at the Smack Mellon Gallery in Brooklyn, NY and Frederike Taylor Gallery, New York, NY. Driscoll's previous work includes installations such as “The Loophole of Retreat” (Whitney Museum at Phillip Morris), and “Passionate Attitudes” (Threadwaxing Space, New York), public art projects such as “As Above, So Below” for Grand Central Terminal, a suite of 20 mosaic and glass works for the tunnels at 45th, 47th and 48th streets, “Catching the Drift”, a women’s restroom for the Smith College Museum of Art, and “Aqueous Humour”, a kinetic sculpture for the South Boston Maritime Park. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the New York Foundation for the Arts, the Massachusetts Cultural Council, Anonymous Was a Woman, the LEF Foundation, and Radcliffe’s Bunting Institute. Ellen Driscoll is currently the head of the sculpture department at Rhode Island School of Design.
Visiting Artist: Randal Thurston
Cut-paper artist Randal Thurston makes intricate wall installations that expore mythology, history, and science. He will give a talk on March 10, at 3:30pm in Osher Hall. Thurston recently completed a public art project for Cambridge River Festival in Cambridge, MA. His artwork has been featured at the Decordova Museum and Sculpture Park, The Institute of Contemporary Art in Boston, MA and the Fuller Craft Museum. Randal currently teaches at New England School of Art Design at Suffolk University. .
Art History Faculty Member Publishes Book
Art History faculty member Chris Thompson published "Felt: Fluxus, Joseph Beuys, and the Dalai Lama." Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama, arranged by the Dutch artist Louwrien Wijers, Chris Thompson explores the interconnections among Beuys, the Fluxus movement, and Eastern philosophy and spiritual practice.
Andrew Murphie, co-author of "Culture and Technology" describes the book as "a letter lovingly recounting the often fragile moments in which artists have put themselves on the line to try to bring about a transformation in the human spirit. Thompson’s answer to his own question—‘what happens when nothing happens?’—seems to be, quite a lot."
Visiting Artists: February 2011
MECA invites artists, curators, and scholars to the College to meet with students in classrooms and critiques. In addition, visiting artists are asked to deliver a lecture. These artist talks are free and open to the public.
Daniel Rozin February 10, 3:30pm Osher Hall
Daniel Rozin’s interactive mirrors combine an extraordinary range of materials, from wooden pegs to woven prints, to custom software and projection. The act of engaging one’s own slowly articulating image in Rozin’s work responds to the inherent nature of self-perception as performative, fascinatingly abstracted, and fleetingly resolved. Daniel Rozin is the recipient of numerous awards including the Prix Ars Electronica, I.D. Design Review, and the Chrysler Design Award. Rozin is a professor and the Director of Research at ITP in the Tisch School Of The Arts at New York University, where he earned an MPS. Previous teaching positions include the Jerusalem Bezalel Academy of Art and Design, where he also earned a BA in Industrial Design. Rozin is a participating artist in ICA at MECA exhibition “Fracturing the Burning Glass: Between Mirror and Meaning.”
Jennifer Gross “Richard Artschwager: Out of Step and on Target” February 22, 3:30pm Osher Hall Jennifer Gross, the Seymour H. Knox, Jr., Curator of Modern and Contemporary Art, recently organized the contemporary exhibition Continuous Present at the Yale University Art Gallery and the traveling exhibition The Société Anonyme: Modernism for America. Dr. Gross is a visiting critic at the Yale School of Art. She earned her Ph.D. from the Graduate Center, City University of New York. She has published numerous essays and exhibition catalogues on contemporary artists including Kristin Baker, David Ireland, Josiah McElheny, Jim Nutt, Mamiko Otsubo, Laura Owens, Richard Tuttle, and Rachel Whiteread.
James Voorhies February 23rd, 6pm ICA at MECA Voorhies is the Director of the Bureau For Open Culture. The organization works intentionally to re-imagine the art exhibition as a discursive form of education that creates a kind of new public sphere or new institution. Bureau for Open Culture
Jeremy Bailey February 26, 6pm ICA at MECA Toronto-based Jeremy Bailey is a video and performance artist. His work is often confidently self-deprecating in offering hilarious parodies of new media vocabularies. Jeremy Bailey
Image above: Mirror by Daniel Rozin.
MECA Students Design Museum Workshops
This fall, the Portland Museum of Art wanted to give visitors the opportunity to see the creative process at work. To make the process visible, they turned to MECA for help in creating educational programming from the emerging artist perspective. Based on the strength of their studio work and their aptitude for teaching, Painting faculty member Gail Spaien selected four seniors for the project: Maggie Muth, Nikki Stroumbos, Meghan Gervasio, and Hannah Godbey.
They spent months visiting the museum to find inspiration for their own work that will serve as the basis for a family workshop during February break. The workshop will help visitors see the life cycle of a work of art -- from getting inspired, to making sketches, to working on a piece, to the final product that hangs on the wall.
Gail noted, “There is an inner life to the artist’s process that museum goers usually don’t get to see. Museums present finished work. It’s when artists are making stuff that we are passionately engaged. Each time I produce work for an exhibit, as soon as it see it hung in the gallery I’m on to the next project. I experience an openness in my thought process when I’m designing a project or problem solving a painting. Seeing a piece completed uses my brain in a totally different way—much less fun. A family activity like this encourages adults and children to experience their own imagination. Instead of aiming for a single, correct solution to a problem, it’s okay to come up with multiple answers. Everyone accesses their intuition and reasoning skills. Those who come to this event get to be creative, create, and have a glimpse into what occurs in an artist’s studio.”
Student Exhibition Compares Printmaking and Mealmaking
Printmaking students explore the parallels between the practice, preparation, and tradition of the meal to the printmaking process in their exhibition "The Deconstructed Meal." The participating students in this thematic show depict the relationship through a diversity of media, using both the conceptual and satirical. Beyond the context of the meal, the pieces in this show expand the definition of the print. They illustrate inherent and contemporary topics within printmaking as they relate to activities as common as a meal.
The work will be on view on the first floor of Porteous for the month of March with an opening during the First Friday Art Walk on March 4.