News + Events
2012 BFA Awards Announced
Best in show
THE WORLD OVER: MECA Faculty Exhibition on View at the ICA through December 22
THE WORLD OVER: MECA Faculty Exhibition on view at the ICA through December 22
The Institute of Contemporary Art at Maine College of Art (ICA at MECA) in Portland will present the exhibition The World Over through December 22, 2012.
Featured artists include Jeffrey Clancy (Metalsmithing & Jewelry), Elizabeth Jabar (Printmaking) and Colleen Kinsella (Printmaking), Adam Manley (Woodworking & Furniture Design), and Gail Spaien (Painting). All are current faculty members of the BFA program at Maine College of Art. The World Over is the sixth in MECA’ s series of juried thematic faculty exhibitions. This exhibition was juried by Amie Scally, Deputy Director/Curator of White Columns, New York.
Jeffrey Clancy is a visual artist, designer and educator whose studio practice is informed by historical and traditional craft practices and theory. Clancy is represented by Gallerie Elisa Plateau, Brussels, Belgium, has been awarded The Society of Arts and Crafts Artist Award, Boston, MA. Recent exhibitions include Vestige, a solo exhibition at Gallery 37-A, Portland, ME; Art Brussels, 2010; Generously Odd: Craft Now, Lexington Art League, Lexington, KY; Re-make / Re-model, National Ornamental Metal Museum, Memphis, TN; Exterior / Ulterior National Ornamental Metal Museum, Memphis, TN; “Exhibition in Print 2010, Neo-Palatial: A Curatorial Imaginarium,” Guest Curator Garth Clark, Metalsmith Magazine.
Elizabeth Jabar is a print based artist and her hybrid works on paper explore ideas of ethnicity and heritage. In her printed assemblages and artists books she displays a highly personal visual language, incorporating cultural motifs from folk art, religious traditions and textiles. Her works have been shown at galleries and museums nationally and internationally, including Victoria Arts Connection, Victoria, BC, Canada, National Gallery of Art, Ulaanbaatar, Mongolia, Pyramid Atlantic, Rhode Island School of Design, Montserrat College, Colby College Museum of Art, The Institute of Contemporary Art at Maine College of Art, The Center for Maine Contemporary Art, University of New England, La Jolla Fiber Arts, La Jolla California, New York and The Center for Book Arts, New York, New York. Her work was recently published in 50/ 50 A Survey of Contemporary Printmaking.
Colleen Kinsella’s primary focus is split between printmaking and music. Her work has been published on over twenty-five album covers. She and her partner, who are known for their one-of-a-kind art and music production, began the group Big Blood and started Dontrustheruin Records out of their home. Her work was selected for this year’s Biennial at the Portland Museum of Art and was featured on the catalogue cover. She has shown at the International Print Center in New York; Dean Johnson Galley, Indianapolis, IN; Seattle’s Wall of Sound, Columbia College, Chicago, IL; and the Southern Graphics Council, Chicago, IL.
Gail Spaien has been granted numerous awards and fellowships including the New Hampshire Charitable Foundation Artists Advancement Grant, the Maine Arts Commission Good Idea Grant and Artist Visibility Grant, the Djerassi Foundation Resident Artists Program in Woodside, CA, Millay Colony for the Arts in Austerlitz, NY and, the Skowhegan School of Painting and Sculpture. Gail's exhibitions include the DeCordova Museum of Contemporary Art, in Lincoln, MA, Center for Maine Contemporary Art in Rockport, ME, San Jose Institute of Contemporary Art, in California, Crocker Art Museum, in Sacramento, CA, the Portland Museum of Art, the Institute of Contemporary Art in Portland, Maine, and the Colby College Museum of Art in Waterville, Maine. She is represented by Aucocisco Gallery in Portland, Maine, Miller Block Gallery in Boston, MA and the William Scott Gallery in Provincetown, MA.
For more information on the exhibitions and artists, visit our website: http://www.meca.edu/meca-life/ica
And, please remember that the ICA is always free!
Open Window Series 3 #1,2012
Acrylic on linen
55 x 60 inches
MECA Announces Fall Lecture Series
MECA’s Visiting Artist and Guest Lecturer Series invites professional artists, educators, curators, thought leaders, and creative entrepreneurs to present on topics of interest and importance to the MECA community. All lectures in this series are open to the public at no charge. RSVPs to email@example.com are encouraged, as seating is limited. Call 207.699.5010 for more information.
Art for the
As the director of Long Now, Alexander has facilitated projects such as the 10,000 Year Clock, The Rosetta Project, Long Bets, Seminars About Long Term Thinking, Long Server and countless others. Alexander shares several design patents on the 10,000 Year Clock with Danny Hillis, the first prototype of which is in the Science Museum of London. His experience also includes serving as an artist in residence at Silicon Graphics Inc., a project manager for Shamrock Communications, and a founding partner of Inertia Labs. Alexander has attended the Art Center College of Design and graduated with a bachelor of arts honors degree from Carnegie Mellon University in Industrial Design in 1995.
A Day With The Public Engagement Department
Scott Berzofsky is a recent SMACT graduate from the MIT Program in Art, Culture and Technology. His work explores the relation between art, ecology and urban spatial politics. Before coming to MIT, Scott lived and worked in Baltimore, where he co-organized several artistic and activist initiatives including campbaltimore, Participation Park, The City from Below and STEW. His writing has appeared in Third Text, Critical Planning and The Journal of Aesthetics and Protest.
Printmaking, Book Arts, and Sculpture
Materials and Process
Leeanna Morris is currently in her first year of the MECA MFA program. She earned a BFA in Studio Art concentrating in photography and a minor in Art History from Southern Methodist University (SMU). After graduating Leeanna was a Studio Resident in ceramics at SMU’s Meadows School of the Arts. In her work, she is currently exploring ideas of installation and limitation through materials and process. She works in a variety of mediums, ranging from photography, ceramics, fibers, and drawing.
The Inspiration of Edward Gorey & The High Skies Adventure of Blue Jay the Pirate
MECA Announces Lecture with Anthony Smyrski at the ICA
Anthony Smyrski is a founder of Smyrski Creative and co-founder of hte experimental media project MEGAWORDS. Anthony gave a talk about finding his passion, starting his own design firm and offered practical advice to students about starting a creative business or freelance practice.
First year students at MECA engage community with mural project
This striking new mural recently appeared as a result of a community partnership and MECA's Public Engagement efforts at the corner of Preble Street and Cumberland Avenue, a block off of Monument Square.
Two of MECA’s FY-In sections have teamed up with Wright Ryan to create a temporary public installation on the exterior of the new Preble St Teen Center. Paul Gebhardt and Adam Manley’s classes collaborated to create a 48 foot Mural to be mounted on the side of the building at the corner of Preble and Cumberland Streets. Students worked together to come up with a mural spoke to both the residents of the center and the general population of Portland. After a group brainstorming session, the students were divided into groups of two, each of which was assigned a letter, as well as a language commonly spoken in Portland to act as a visual prompt for the painting of their letter. The mural is divided into 4’ x 4’ squares, each containing one letter, and the individual artworks that developed around each of these letters is based on the students’ extensive research into the visual language of the assigned cultures.
The building is being renovated to become the Preble Street Resource Center's new Joe Kreisler Teen Shelter. But the mural is actually a collaboration between Wright-Ryan Construction and this year's freshman class at the Maine College of Art.
Wright-Ryan superintendent Rob Barrett was a driving force behind the initiative. He said, "The building renovations required his crew to remove the first-floor facade and erect a temporary plywood shed. Instead of having a blank wall, it seemed like a perfect canvas for a community art project, so I contacted a couple of instructors at MECA. Members of the freshman class then teamed up in pairs to paint the mural's individual panels, each of which honors a different nationality from the diverse immigrant community at the nearby Portland High School."
"It was a way to get incoming freshmen introduced to Portland, and introduced to the Preble Street Resource Center, with a community-based arts project," explains Barrett.
Chair of MECA Illustration Department Releases New Book
SCOTT NASH RELEASES NEW BOOK:
Portland Based Author/Illustrator and Chair of MECA’s Illustration Department Tops 2012 Best Children’s Books List
Portland, Maine ~ Illustrator, author, designer, and nationally-known media mind Scott Nash’s latest release, The High Skies Adventure of Blue Jay the Pirate has already garnered recognition of note on ABA's (American Booksellers Association) Best Children's books of 2012 Listand at The Society of Illustration’s Original Art Show.
Elegant Enigmas: The Art of Edward Gorey comes to Portland
Portland, ME ~ The Bank of Maine proudly presents Elegant Enigmas: The Art of Edward Gorey opening on Friday, October 5, 2012, and continuing through December 29 on display at Portland Public Library’s Lewis Gallery. The exhibition is free of charge to the general public and features original illustrations, preparatory sketches, unpublished drawings and ephemera by the internationally celebrated artist and author Edward Gorey. This highly acclaimed exhibit is made possible by generous support from The Bank of Maine and a collaboration between Maine College of Art (MECA) and Portland Public Library.
Elegant Enigmas pays tribute to the work of Edward Gorey (1925 – 2000), best known for his brilliant drawings and witty, quirky stories. Described as “incredibly sophisticated…stylish and inventive” by the New York Observer, Gorey’s signature pen-and-ink illustrations and macabre wit has led him to be considered one of America’s most imaginative and eccentric artists of all-time. During his lifetime, Gorey published over 100 works, designed sets and costumes for countless theatre productions, created popular animations, and illustrated works for a wide array of artists ranging from Charles Dickens and John Updike to Virginia Woolf and H.G. Wells.
Elegant Enigmas includes approximately 180 original works, including selections from The Gashlycrumb Tinies, The Doubtful Guest, The Unstrung Harp, The Gilded Bat, and other well-known publications, drawn primarily from the extensive archives of The Edward Gorey Charitable Trust and significant private collections.
Chairman and CEO of The Bank of Maine, John Everets, one of many local Gorey enthusiasts said, “We are proud to sponsor this exhibit and delighted to help share the fascinating genius of Edward Gorey with the Greater Portland community. We hope that people take advantage of this tremendous opportunity to experience Elegant Enigmas for themselves.”
or to schedule an interview with Gorey expert and chair of MECA’s illustration department, Scott Nash, please contact Raffi Der Simonian at 207.699.5010 or firstname.lastname@example.org.
This Exhibition has been organized by the Edwards Gorey Charitable Trust and the Brandywine River Museum, Chadds Ford, Pennsylvania.
Artist who designed Sprague oil tanks speaks at MECA
Jaime Gili, the artist who designed the art for Sprague Energy Corporation’s oil tanks that line Casco Bay between Portland and South Portland, will visit Maine this coming week, spoke at MECA's Osher Hall on Wednesday, September 12, 2012 at 5:30 p.m. The event was hosted by the Maine Center for Creativity, in partnership with Maine College of Art.
The Maine Center for Creativity, in ground-breaking collaboration with the Sprague Energy Corporation, sponsored the Art All Around® project. It is a bold initiative launched in 2008 to spearhead an international design competition. It’s goal: to transform 16 oil storage tanks on Portland harbor into an integrated ‘canvas’ of color and design at the gateway to the state’s largest city – and to all of Maine.
The first phase was an open design competition that received 560 submissions from 80 countries. Designs were evaluated by a select, international panel of judges. Five semifinalists, including two from Maine, each received a $10,000 prize award. Jaime Gili, a young Venezuela-born artist living in London, was selected as the final winner – and received the $20,000 grand prize.
To date, five tanks of the 16 tanks have been completed, and Gili is visiting Maine to talk about the project, his inspiration, and how it compares to his other artistic endeavors.
About Jaime Gili
Jaime Gili was born in Caracas in 1972 and lives in London. His work has been described as continuing a tradition of Latin American abstract art, especially the Venezuelan optical artists from the 20th Century. Critics have described his work as a mix of Pop, Minimalism, Vorticism, Futurism and graffiti Art. Gili received his MA in painting from the Royal College of Art in 1998, after studying in Caracas and Barcelona, and has exhibited since in the UK, the USA, Brazil, Switzerland, Spain, Argentina and Venezuela. Art All Around® jurors selected Gili’s work from among 560 submissions from more than 80 countries during the Maine Center for Creativity’s international competition to transform the Sprague industrial site into the world’s largest public art painting.
About the Maine Center for Creativity
Through its support of arts and industry collaborations, the Maine Center for Creativity (MCC) harnesses the power of talent and innovation to drive economic development and growth of the creative economy in Maine. By developing projects and educational programs that support the vibrancy of creative industries and the arts, such as Art All Around®, Pecha Kucha, and the inaugural Maine Creative Industries Award on September 13, 2012, MCC nurtures innovative companies, engaged communities, and creative people. For more information visit www.mainecenterforcreativity.org or call 207.730.0694.
Portland Maine Film Festival Hosted at MECA
MECA is a proud sponsor of The Portland Maine Film Festival. MECA's Osher Hall will be transformed into a host venue for the film festival from October 4 - 7, 2012.
The Portland Maine Film Festival is dedicated to presenting the work of talented, emerging artists who engage critical, contemporary dialogues through the medium of film. In doing so, we hope to foster the cultural and creative growth of Portland as a developing hub for independent film and innovation within the motion picture arts.
Coming this Fall! SNAAP Survey
MECA is participating in the 2012 Strategic National Arts Alumni Project (SNAAP)--a one-of-a-kind survey that explores the lives of arts alumni nationwide. Alumni completing the survey this fall will have access to a site to see how their educational and career experiences compare with alumni from across the country. See where other arts graduates live, where they work, what they earn, and how their arts educations have influenced their lives.
Creative Capital Professional Development Retreat
The Maine Arts Commission recently presented a transformative two-day Creative Capital Professional Development Retreat in partnership with Maine College of Art. Creative Capital is a national nonprofit organization dedicated to providing integrated financial and advisory support to artists pursuing adventurous projects in five disciplines: Emerging Fields, Film/Video, Literature, Performing Arts and Visual Arts. Working in long-term partnership with artists, Creative Capital’s pioneering approach to support combines funding, counsel and career development services to enable a project’s success and foster sustainable practices for its grantees. The Professional Development Program has reached more than 4,200 artists in 70 communities across the country. The retreat was held at MECA on September 15 and 16.
The Professional Development Retreat delivered dynamic skill-building opportunities to artists for long-term change. Using strategic planning as the central tool, the retreat provided a comprehensive learning structure that helps artists identify short-term project goals and longer-term career goals. The aim of the retreat was to help artists build the skills and identify the resources needed to accomplish their goals. Creative Capital uses an integrated methodology to build skills in the core areas of marketing/public relations, financial planning and fundraising. Overall, the retreat helps artists break ineffective patterns of time and work management, and increase satisfaction in the business of their art.
If you are interested in learning more about this professional development program and other similar upcoming opportunities, please contact Jessica Tomlinson at email@example.com.