MECA'S JAMIE HOGAN'S CHILDREN'S BOOK ILLUSTRATIONS NAMED IN "100 GREAT CHILDREN'S BOOKS"
The New York Public Library has announced the "100 Great Children’s Books | 100 Years" featuring "inspiring tales that have thrilled generations of children and their parents." Among those, "Rickshaw Girl"- illustrated by MECA's Jamie Hogan and written by Mitali Perkins has been honored. Maine has been the home to classic and contemporary children's book creators, including "Charlotte's Web" by E.B. White, "Make Way for Ducklings" by Robert McCloskey, and "The Giver: by Lois Lowry. Jamie Hogan is a professor in MECA's Illustration Department.
"To see my name on the list of children's book authors and illustrators I grew up with and stories that my daughter was raised on, put me over the moon," said Jamie Hogan, "What astounding company."
The "100 Great Children’s Books | 100 Years" list was chosen by children’s librarians at The New York Public Library and published on the occasion of The New York Public Library’s acclaimed exhibition "The ABC of It: Why Children’s Books Matter."
Maine College of Art was recently featured in "Creative Colleges: A Guide for Student Actors, Artists, Dancers, Musicians and Writers." The book, published in its fourth edition and is aimed at college-bound creative students and provides the information and and tools necessary to pick the right arts program.
College Coach and Author Elaina Loveland scrutinized art programs from across the country and ultimately selected more than 250 art, drama, dance, music and creative writing programs in arts conservatories, liberal arts colleges and universities to recommend to potential students. MECA is among those selected.
Alumna Vivian Beer '00 wins $25,000 Fellowship from Society of Arts and Crafts
The Society of Arts and Crafts is pleased to announce the 2013 recipient of the John D. Mineck Furniture Fellowship is Vivian Beer, a 2000 graduate of Maine College of Art.
Beer is an innovative furniture maker based in New Hampshire. She aspires "to create handmade, one-off objects that manifest the nostalgia of history, the speed of progress and the memory of the human hand".
John D. Mineck was a past President of The Society of Arts and Crafts Board of Trustees and a beloved member of Boston's cultural community. In an effort to support the art that John loved and the people who make it, the Foundation has created a fellowship to encourage and support a young-in-career furniture artist with the financial assistance to help him/her succeed in his/her journey. The fellowship has been designed to help support a talented furniture artist looking to fulfill an apprenticeship, develop his/her own skills, and/or make the transition to independence. The John D. Mineck Furniture Fellowship of $25,000 is awarded annually to one artist and is administered by The Society of Arts and Crafts.
Illustration Students Chosen to Collaborate with National Animation Studio
Two MECA Illustration majors have been chosen by internationally renown Frederator Studios to develop ebooks for their series "Bravest Warriors" featuring the character Catbug.
The students are being commissioned to create original content featuring Catbug drawn in their own style which then will be produced and recorded in New York of LA.
Frederator Studio is an animation studio known for an array of popular cartoon shows, including Fairly Odd Parents, Chalk Zone, and My Life as a Teenage Robot.
The Portland Museum of Art Presents the First Museum Exhibition by MECA alum, Ahmed Alsoudani '05
(Portland, Maine) The Portland Museum of Art (PMA) will present Ahmed Alsoudani: Redacted, the first major museum exhibition of the work of American-Iraqi artist and Maine College of Art graduate Ahmed Alsoudani. The exhibition features 20 of the artist’s tumultuous and innovative paintings, which reflect on the horrors of war with a unique artistic voice. Ahmed Alsoudani: Redacted will be on view through December 8, 2013, in the PMA’s celebrated Third Floor Gallery for Contemporary Art.
“Challenging the viewer with nuanced art historical arguments and blatantly difficult, abject, and grotesque imagery, Alsoudani does what few artists can do: he successfully translates the complexity of contemporary politics into meaningful painting,” said PMA Director Mark H.C. Bessire.
Through his personal experience as a child and adolescent in war-torn Iraq, Alsoudani developed a keen sensitivity to the effects of war, violence, terror, and political unrest on a global scale. His paintings reflect his experiences as well as the mediated nature of war in our time. “I’m not just commenting on Iraq but on an experience that becomes universal,” Ahmed Alsoudani said, referring to Untitled, 2007, a loose, nearly abstract rendering of the moment the infamous statue of Saddam Hussein fell in Baghdad in 2002. His splintered compositions, and the overwhelming and sometimes harrowing scenes represented in a bright, near-primary palette, address the uneasy balance in our culture between scenes of disaster and objects of beauty. Alsoudani cites historical figures Francisco Goya, Pablo Picasso, Michelangelo Merisi da Caravaggio, and George Grosz, as well as more contemporary painters Philip Guston and Francis Bacon as major influences. Like his predecessors, he seeks to create works that depart from the glorification of violence and the heroism of warfare. Instead, his large-scale paintings offer graphic, often disturbing imagery that includes disembodied hands or all-seeing bulging eyes juxtaposed with random mechanical parts and other recognizable but misplaced imagery.
Ahmed Alsoudani was born in Baghdad in 1975 and grew up under the regime of Saddam Hussein. He left Iraq as a teenager and lived in Syria before immigrating to the United States in the late 1990s. He studied in Maine at the Maine College of Art (BFA, 2005), and the Skowhegan School of Painting & Sculpture (2006), and graduated with a MFA in painting from the Yale School of Art (2008). In 2011, his work was featured in the Iraq Pavilion at the 54th Venice Biennale, in the exhibition The World Belongs to You, and at The Francois Pinault Foundation at the Palazzo Grassi, Venice. His other major international exhibitions include: La Route de la Soie at Tri Postal in Lille, France (2010); Unveiled: New Art from the Middle East at the Saatchi Gallery in London (2009); as well as shows at the National Gallery of Saskatchewan, Canora, Canada (2007) and the Gwangju Museum of Art, Korea (2007). He lives and works in New York.
The exhibition is co-organized and co-curated by Mark H.C. Bessire, Director of the Portland Museum of Art and Dr. Sara Cochran, Curator of Modern & Contemporary Art at the Phoenix Art Museum. The exhibition was on view in Phoenix from March 13 through July 17, 2013. A full-color catalogue will accompany the exhibition and is available in the PMA Store for $19.99.
This exhibition was co-organized by Phoenix Art Museum and the Portland Museum of Art, Maine. Generously supported by Louise Bessire in memory of Henry E. Bessire and Sabre Yachts & Back Cove Yachts. Ahmed Alsoudani: Redacted is also sponsored in honor of the Maine College of Art by: Patricia and Cyrus Hagge, Chris and Betsy Hunt, Horace and Alison Hildreth, and Candace Karu. Funded in part by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. Corporate Sponsors: The Bear Bookshop, Marlboro, VT and The VIA Agency.
MECA Community Featured in 2013 Portland Museum of Art Biennial: Piecework
This fall the Portland Museum of Art (PMA) is featuring 30 artists selected from nearly 900 applicants for the 2013 Portland Museum of Art Biennial: Piece Work. Ten of the artists are MECA alumni and two are faculty.
Kate Beck '96 (Attended), Harpswell, ME Matt Blackwell '77, Brooklyn, NY Allison Cooke Brown '01, Yarmouth, ME Alina Gallo MFA '08, Portland, ME Bryan Graf, Portland, ME, Assistant Professor of Photography Julie Gray MFA '12, Saco, ME Adriane Herman, Portland, ME Associate Professor of Printmaking Alison Hildreth '76, Portland, ME Joe Kievitt '93, Portland, ME Sage Lewis '04, Columbus, OH Justin Richel '02, Rangeley, ME Aaron Williams '94, Ridgewood, NY
Selection of the artwork for Piece Work followed a new process this year. The jury process was conducted internally by Jessica May, the PMA’s first Curator of Contemporary and Modern Art. The goal of the exhibition is to explore one very strong, deep thread of contemporary practice that has relevance both regionally and nationally. Many of the artists in Piece Work live in Maine for all or part of the year; for others, the state has been an important part of their biography or artistic practice.
On view October 3, 2013 through January 5, 2014, the Biennial will feature more than 70 works, ranging in media from painting and drawing to photography and video.
Groundbreaking Bluestocking Film Series Brings Award-Winners to MECA
Astronauts? Check. Zombies and lesbians? Check. WWII resistance fighters? Check. Teenage girls on the prowl, a grandmother with an unconventional diet, and a businesswoman on an obstacle course to work? Yes. The Fall 2013 Bluestocking Film Series has that.
Returning to MECA's Osher Hall on Saturday, Oct. 19 at 7:00 p.m., the biannual film event has a whole new lineup of award-winning Bechdel-tested short films by talented women directors for Portland’s cinema lovers.
With the help of an international judging panel, the six films were carefully curated by founder-organizer Kate Kaminski, chosen specifically to prove that films about women can tackle difficult subject matter and be powerful and cutting-edge.
This fall will also mark a first in Bluestocking’s 2-year history: audience members will vote their favorite film in two categories and two lucky filmmakers will walk away with cash prizes. Kyna Morgan of Her Film Project (a global project to support women filmmakers) will sponsor the bigger of the two prizes. The Bluestocking also awards a $100 gift each season to a female New Media student at MECA. “Our goal is to support in any way we can those women who choose to compete in such a male-dominated field.”
The screening event will take place in Osher Hall at MECA at 7:00 p.m. (doors at 6:30 p.m.) on Saturday, October 19. All tickets are $5 if purchased in advance via Brown Paper Tickets. Tickets are $7 if purchased at the door the evening of the screening. Some of the featured filmmakers will also be on-hand for a post-screening Q&A.
For more information, contact Kate Kaminski, founder/organizer. Watch trailers for past and upcoming events: bluestockingfilms.com
Contact: Kate Kaminski, Organizer |email@example.com | 207.772.1326
MECA ANNOUNCES FALL 2013 LECTURE SERIES
MECA ANNOUNCES FALL ‘13 LECTURE SERIES
Visiting Artist Lecture Series Brings Dynamic Range of Thought Leaders, Creative Entrepreneurs, and Professional Artists to Downtown Portland
Portland, Maine ~ MECA’s Visiting Artist and Guest Lecturer Series invites professional artists, educators, curators, thought leaders, and creative entrepreneurs to present on topics of interest and importance to the Greater Portland community and beyond. All lectures in this series are free and open to the public. Hosted in MECA’s Porteous Building (522 Congress Street), seating is limited. Visit meca.edu/lectures or call 800.699.1509 for more information.
Portland artist Jenny McGee Dougherty is the Associate Director at SPACE Gallery in Portland. Her work is inspired by the marks and impressions on local spaces, such as municipal scuffs, weathering, shadows, and patterns. “It all becomes part of our collective landscape that is often taken as a whole, rather than a collection of parts, a history,” she says.
2. Thursday, September 19, 2013 // Andrew Baldwin // Osher Hall, 12pm
Andrew Baldwin is a printmaker, educator and a leader in nontoxic contemporary print methods who developed and produced an innovative and versatile etching ground called Baldwins Ink Ground (B.I.G.), to reduce some of the more hazardous processes in printmaking. He has also initiated a ground-breaking Audio Visual Database of fine art techniques and is the director and founder of Trefeglwys Print Studio in Wales.
3. ThursdaySeptember 26, 2013 // Dao Chau Hai and Nguyen Ngoc Lam // Osher Hall, 12pm //Visiting Artists in Residence from Vietnam //
MECA artists-in-residence Dao Chau Hai and Nguyen Ngoc Lam, from Hanoi, Vietnam, will work together to create “The Tree Man,” a large scale site-specific installation made of natural materials in MECA’s Green Space on the corner of Casco and Shepley Streets, from September 16 to October 14, a project sponsored by the Indochina Arts Partnership and MECA’s Artist at Work initiative. MECA alumnus David Thomas '68 started the Indochina Arts Partnership 25 years ago as a cultural exchange program.
Shirah’s paintings convey the complexity of perceived time and their surfaces are “textured from layers of working and editing, utilizing abstraction, color theory, and formal decision making as a means to describe the immensity of experience.” Her influences include Yantra, abstract Tantric Art, and Indian miniature paintings.
5. Thursday October 10 // Gina Adams ’02 // ICA at MECA, 12pm //Alumni Biennial Gallery Talk //
Gina Adams recently completed her MFA from the University of Kansas, where she focused on Visual Art, Curatorial Practice, and Critical Theory. Her cross-media, hybrid studio work includes sculpture, ceramics, painting, printmaking, and drawing and has been exhibited extensively throughout the United States.
6. Tuesday, October 8, 2013 // Emily Luce // Osher Hall, 12pm
Artist, designer and researcher Emily Luce is president of the board of directors at DesignInquiry, a nonprofit organization that furthers the interdisciplinary discourse of design. Recent projects include The Cardiff/Miller House, a 128 square-foot inhabitable replica of an infamous art house in Lethbridge, Alberta, Canada, and Drawing the Canada-Wide Science Fair, an in-situ, live-broadcast drawing practice involving sixteen artists and over 400 high school science fair participants. Her topics include domesticity in the art world, sustainable architecture, and “the pleasure of tiny.”
Catherine Kernan is a painter, teacher, printmaker, the co-founder and partner of Mixit Print Studio in Somerville, MA, and the director of Maud Morgan Arts, an arts center in Cambridge, MA. She says, “Working at the interface between printmaking and painting, I use large scale woodblocks in unorthodox ways as a transfer tool to build images layer by layer in a painterly process of controlled accident.” Sponsored by Peregrine Press.
8. Wednesday, November 6, 2013 // Elizabeth Hand // Osher Hall, 7pm
Visionary award-winning American novelist Elizabeth Hand as a longstanding interest in outsider artists, which are the subjects of much of her short fiction as well as her most recent novels, the forthcoming psychological thriller Generation Loss, about an emotionally damaged proto-punk photographer, and 2004’s Mortal Love, inspired by the life and work of the schizophrenic Victorian fairy painter Richard Dadd. Her personal experiences of inexplicable transcendence and random human violence have shaped nearly all her fiction.
9. Thursday, November 7, 2013// Matt Hutton // Osher Hall, 12pm
Associate Professor and Chair of Woodworking & Furniture Design Matt Hutton earned his BFA in woodworking and furniture design at the Herron School of Art in Indianapolis, Indiana, and an MFA from San Diego State University. he has also studied woodworking in England and Japan and over the past decade has been instrumental in establishing MECA’s woodworking and furniture design program. He operates STUDIO 24b in Portland.
10. Thursday, November 14, 2013 // Gary Stephan // Osher Hall, 12pm
New York based painter Gary Stephan’s work has been collected by The Guggenheim Museum of Art, The Metropolitan and the Museum of Modern Art. Noted American art critic Peter Schjedahl once wrote that Gary Stephan’s work “provides timely grist to the timeless mill of the soul.” Exhibiting since the late 1960s, Stephan traffics in an idiosyncratic abstraction that is free from declarative statements as to what the painting should be, what it should mean, or what it expresses. Instead, his pieces vacillate, suggest, and undermine.
Painter Angela Warren grew up surrounded by woods, music, and art. Drawing and singing at a young age has currently influenced her to make abstract paintings and sound installations that embody tonalities of color and pitch. Her research in synesthesia reveals how sight and sound intersect to form perception. Angela received her BFA from Drake University in Des Moines, IA, and graduated with an MFA from Maine College of Art.
For more information, please visit meca.edu/lectures or call 207.775.3052.
MECA Alum's Style and Product Photography Feature Real World Models
LK Weiss ('11) is a photographer and designer whose work challenges mainstream conceptions of beauty. She owns multiple businesses, including branding and design company The Portland Designer. But it was Weiss' Jack Tar 207 that recently caught th attention of the international site, the Huffington Post. Her work often represents people from Maine's Queer community, and it is her bravery and acceptance of non-traditional beauty that coach and writer Mary Gorham Malia emphasizes in the article.
"The people that show up in Jack Tar 207 shoots aren't strictly queer, they do shoot straight folk too, but LK notes they are intentionally leveraging the stunning style of the queer community in the Portland area. With a mission to use non-traditional models they are attracting a wide variety of clients who love what they create and the visual voice it creates for their products and brands," Malia wrote.