Students Participate in Collaborative Printmaking Project
A new exhibition of prints at Rose Contemporary in Portland will highlight works selected from the flat files of the Peregrine Press and Zea Mays Printmaking studios, and introduce the Maine College of Art Flat File Project featuring work by printmaking students. Flat files are where unframed prints are stored in large file drawers for viewing by collectors, other artists, and those interested in printmaking. Additional work by the participating artists will be available for sale and public viewing in a Flat File at the gallery for the duration of the exhibit.
The exhibition runs from March 1 to March 31 with an opening reception on Friday, March 2 from 5pm to 8pm.
In the weeks prior to the exhibition printmaking students from Maine College of Art (MECA) will work with artists from the Peregrine Press to learn about the history and importance of the Press, view members’ work and connect with the art community beyond the college. The collaborative nature of the project provides the MECA students with a valuable model for professional practice as part of MECA's newly launched Public Engagement minor.
There will be a free public lecture by Liz Chalfin, printmaker and founder of Zea Mays, at Maine College of Art on Saturday, March 3 at 6:30pm. The lecture “Growing a Sustainable Printmaking Community”, will be given at the Osher Lecture Hall at MECA. The lecture is funded by the Kate Mahoney Memorial Fund of the Peregrine Press.
Image credit: Christine Beneman, Book of Flowers #32, monotype (Peregrine Press)
Faculty Member Elizabeth Jabar Exhibits in Waterville
Printmaking faculty member Elizabeth Jabar presents "Kindred" an exhibition of her work at Common Street Gallery in Waterville through December 28. In “Kindred” Jabar poignantly captures diverse narratives and interprets what it means to be in kinship with our cultural ancestors.
Jabar is a Waterville native and returns to her roots to mount an exhibition of prints, paper cuts, and artist books that reflect on the ideas of kinship, ancestry and cultural heritage. Working from a narrative framework, She uses a lexicon of abstracted and representational forms that come from a diversity of sources including, nature, folk art traditions, textiles, and the human figure. Her densely-layered, vividly-colored works are made using a combination of print techniques—woodcut, silkscreen, and lithography, as well as the use of dyes, wax, and thread. Her works also expand the conventions of the print medium, and utilize nontraditional formats including cut paper, book objects, and unframed wall compositions.
Jabar's unique approach to both form and format creates a multi-sensory experience for the viewer. She explains that her work conjures multi-layered narratives that lead us away from the ordinary into a contemplative space full of color, potent symbols, and a unique visual language that is not easily categorized. These formal and material strategies underscore what Jabar states is her goal of “reflecting upon the richness and complexities of cultural identity.” Her work is in various collections throughout the United States and Canada, and she has won several grants and awards and residencies.
Students in MECA’s Second Year Lab, Power to the Print, will install a temporary exhibition and retail space inspired by the market phenomenon known as the pop-up shop. POW! Print Lab will create a distinct visual presence and offer a unique opportunity for viewer participation. Just in time for the holiday season, this exclusive two-day event will feature an eclectic collection of student-made printed works ranging from wood-cuts to silk screened posters, limited edition bags, t-shirts, buttons, stickers and even ornaments.
POW! Print Lab represents the conclusion of a semester's exploration of printed matter and its power as a tool of communication, dissent, and alternative culture from political protest to the entrepreneurial ethos of DIY culture and pop-up shops.
POW! Print Lab opens first Friday December 2, in the Free Street Gallery at Maine College of Art. Come early Friday evening for surprise special events! Sale continues on Saturday, December 3. All profits support the work of the student artists.
Posterama: A Student Exhibition and Art Sale
MECA students will host the exhibition Posterama! from October 24th to November 20th. Posterama! is both an exhibition and sale of printed matter designed and created by MECA students. The front window and lobby of Porteous will house the exhibit. The sale will take place on November 4th during the First Friday Art Walk. The exhibition is a collaboration of MECA students with support from faculty and staff. Students from Professional Studio Seminar, Graphic Design, Illustration, Photography, Printmaking, and New Media are taking leadership, organizational, and curatorial roles to develop their skills. Students will receive 60% of sales, while the remainder is divided among MECA scholarship support and funding of visiting artist lectures and workshops. Maine College of Art is committed to teaching their students to think about a better future, become involved within their community, and problem-solve for society. The Posterama! sale will take place from 5 to 8pm on November 4th on the sidewalk outside of MECAʼs Porteous building, located at 522 Congress Street. The sale will offer affordable art consisting of posters and cards ranging from $5 to $30.
Visiting Artists: Little Friends of Printmaking
MECA, the USM Art Department and AIGA Maine present the visiting artists Little Friends of Printmaking for a lecture on Thursday, October 27 at 12:30pm in Osher Hall. You can easily spot The Little Friends of Printmaking in a crowd—their inky hands and clothes are a dead giveaway. Their artwork is just as distinctive. Husband-and-wife team J W & Melissa Buchanan first made a name for themselves by designing and printing silkscreened concert posters, but soon branched out into further fields, designing fancy junk for whoever would pay them money. In addition to their work as illustrators and designers, these art-school refugees continue their fine art pursuits through exhibitions, lectures, and artists’ residencies throughout North America, spreading the gospel of silkscreen to anyone inclined to listen. Their awards include honors from the Art Directors’ Club, American Illustration, and Communication Arts. Also, their work has been published in the books New Masters of Poster Design, Juxtapoz: Poster Art, and Handmade Nation, among others. The Little Friends currently live in Milwaukee, WI with two very round cats. The lecture is free and open to the public.
Faculty Lecture: Adriane Herman
Adriane Herman, Associate Professor of Printmaking and Foundation at MECA, will give a lecture in Osher Hall on September 15 at 12:30pm. Herman investigates conscious and unwitting forms of consumption and collection. She has had solo exhibitions at Western Exhibitions in Chicago, the Kansas City Jewish Museum of Contemporary Art, The Center for Maine Contemporary Art, Interlochen Center for the Arts, and Adam Baumgold Gallery in New York. Sites of group exhibitions include International Print Center New York; The Dalarnas Museum (Sweden); Portland Museum of Art; Ulrich Museum of Art (Wichita); The Brooklyn Museum, Rose Contemporary, and chosen barren land in Tainen, Taiwan. Herman’s work has been collected by The Herbert F. Johnson Museum of Art, The Progressive Corporation, Sprint, Inc., The Walker Art Center, and The Whitney Museum of American Art.
Herman has received grants from the Maine Arts Commission, the Charlotte Street Foundation , and the Avenue of the Arts Foundation. Her solo and collaborative work has been written about in numerous journals, including The New Yorker, Art on Paper, Art Journal, The Kansas City Star and Art New England, as well as the following books: Printmaking at the Edge: 45 Artists/16 Countries/A New Perspective; Imprint of Place: Maine Printmaking 1800-2005; The Best of Printmaking; Thomas Kinkade: The Artist in the Mall, and Printmaking: A Complete Guide to Materials and Processes.
Herman's independent efforts to normalize consumption of fine art dovetail with collaborative curatorial efforts such as SlopArt.com and projects she has undertaken with students and colleagues, such as “Long Overdue: Book Renewal,” which recycled myriad books, yielding 175 artworks temporarily collectible through Portland Public Library and Inter-Library Loan. Another book-based collaborative project Herman recently initiated is called Plunder the Influence and can be browsed online or viewed in the Joanne Waxman Library until the end of September.
Herman has lectured and conducted workshops at over fifty institutions. She holds a B.A. from Smith College, an M.F.A. from the University of Wisconsin-Madison, and a Level II certificate in the Wilton Method of Cake Decorating. She offers limited edition multiples in barter for intimate details about others’ lives in the form of grocery or “to do” lists.
Student Exhibition Compares Printmaking and Mealmaking
Printmaking students explore the parallels between the practice, preparation, and tradition of the meal to the printmaking process in their exhibition "The Deconstructed Meal." The participating students in this thematic show depict the relationship through a diversity of media, using both the conceptual and satirical. Beyond the context of the meal, the pieces in this show expand the definition of the print. They illustrate inherent and contemporary topics within printmaking as they relate to activities as common as a meal.
The work will be on view on the first floor of Porteous for the month of March with an opening during the First Friday Art Walk on March 4.