Metalsmithing & Jewelry Student Wins $15,000 Windgate Award
Metalsmithing and Jewelry student Aaron Decker, was one of ten seniors in the country to be awarded a Windgate Fellowship of $15,000 from the Center for Craft, Creativity and Design. The fellowship is meant to provide critical support to enhance a student's career. This will allow him to travel to the Czech Republic to be one of seven participants in the international Garnet Symposium held each summer in Turnov. He will then be traveling to Portugal to work with the Association of Contemporary Portuguese Jewelers. This organization supports contemporary studio jewelry through workshops and exhibitions.
Another MECA student, Tanner Price, also won the award this year.
Woodworking & Furniture Design senior Tanner Price was one of ten seniors in the country to be awarded a Windgate Fellowship of $15,000 from the Center for Craft, Creativity and Design. The fellowship is meant to provide critical support to enhance a student's career. With the support, Tanner will travel to Zurich, Valencia, and Tokyo to experience the works and studios of Santiago Calatrava and Tezuka Architects. He will document his travel to show architecture's effects on diverse societies that will inform a body of work representing the language of architecture.
Another MECA student, Aaron Decker, also received the award this year.
Woodworking & Furniture Design Students Participate in Craft Boston
Woodworking & Furniture Design students are showcasing their work at CraftBoston March 23-25. Craftboston is New England's premiere exhibition and sale of contemporary art, craft and design. The event is held each spring at Seaport World Trade Center in Boston and features work by leading artists in the field. Participating students include Hannah Merchant, Kate Lizotte, Abby Mechanic, Matt Gardiner, Tanner Price, Tina McLuckie and alum Steve Anderson '11. Students prepare the exhibit and install it and staff it for the event.
Image credit: Abby Mechanic's work at CraftBoston
MECA Students Design New Portland Pirates Logo
When it came time for the Portland Pirates to create a new logo to celebrate their 20th anniversary, the hockey team approached Maine College of Art. Portland Pirates Managing Owner/CEO Brian Petrovek said, "I could go to Boston or New York or I could go to the world class institution located right across the street."
Students in Samantha Haedrich’s graphic design class, Design Workshop, spent the fall semester collaborating on the identity assignment. The group of nine juniors and seniors conducted research, presented ideas and participated in critiques with the Pirates organization. The chosen anniversary logo integrates the Salty Pete mascot and his iconic pirate flag, a fan favorite.
The logo, which commemorates the 20th anniversary of the inception of the Portland Pirates franchise in 1993, will be included in all aspects of operation, including Pirates merchandise, and on a special alternate jersey to be worn for select games during the 2012-13 season.
"We are thrilled to partner with MECA students, faculty, and staff over the last few months to design this emblem," said Petrovek. "We are very pleased with the work of Samantha Haedrich and her graphic design students on the logo. We feel it accentuates the true spirit of the Pirates relationship with the great hockey fans of Portland over the last 20 years. We thank the students for all of their hard work in creating a truly fitting symbol to celebrate a franchise milestone."
The logo was unveiled during a press conference in the Karu Media Collective at the College on February 27.
Students Participate in Collaborative Printmaking Project
A new exhibition of prints at Rose Contemporary in Portland will highlight works selected from the flat files of the Peregrine Press and Zea Mays Printmaking studios, and introduce the Maine College of Art Flat File Project featuring work by printmaking students. Flat files are where unframed prints are stored in large file drawers for viewing by collectors, other artists, and those interested in printmaking. Additional work by the participating artists will be available for sale and public viewing in a Flat File at the gallery for the duration of the exhibit.
The exhibition runs from March 1 to March 31 with an opening reception on Friday, March 2 from 5pm to 8pm.
In the weeks prior to the exhibition printmaking students from Maine College of Art (MECA) will work with artists from the Peregrine Press to learn about the history and importance of the Press, view members’ work and connect with the art community beyond the college. The collaborative nature of the project provides the MECA students with a valuable model for professional practice as part of MECA's newly launched Public Engagement minor.
There will be a free public lecture by Liz Chalfin, printmaker and founder of Zea Mays, at Maine College of Art on Saturday, March 3 at 6:30pm. The lecture “Growing a Sustainable Printmaking Community”, will be given at the Osher Lecture Hall at MECA. The lecture is funded by the Kate Mahoney Memorial Fund of the Peregrine Press.
Image credit: Christine Beneman, Book of Flowers #32, monotype (Peregrine Press)
MECA Students to Exhibit in Detroit
Eight Maine College of Art students will display their work at Studio Couture in Detroit in a show titled “Mile 916: Painting and Photography from the Maine College of Art.” Studio Couture is a multi-purpose arts incubator with a gallery, design studio, and community arts space. Co-founder Blake Almstead is a 2007 graduate of Maine College of Art.
The exhibition, juried by Daniel Fuller, Director of the Institute of Contemporary Art at Maine College of Art, includes the work of painters and photography majors Graham Almstead, Harlan Crichton, Susan Kanaga, Angela Rosensweig, Megan Reinhold, Reesa Wood, Gabriella Sturchio and Zak Taillon.
The show is on view March 2 through March 25 with an opening reception on March 3rd from 6pm to 10pm. Maine College of Art Photography faculty members Justin Kirchoff and Peter Shellenberger will join the students on a road trip from Maine to Michigan to assist in the installation and celebration of the student exhibition. Several painting students will travel directly from their New York field trip to Detroit to attend the opening.
"The show at Studio Couture Detroit is exactly the kind of professional development Maine College of Art students need to help them navigate their careers after they graduate. To have the opportunity of being selected by a respected curator and traveling almost a thousand miles to exhibit outside of New England is sure to have a lasting impact on their educational experience," said Justin Kirchoff, Chair of the Photography department at Maine College of Art.
"As an alum of Maine College of Art I couldn't be more excited to bring Portland Maine to Detroit Michigan. Detroit's art scene has been rapidly growing and leading the nation in so many exciting ways. We can't wait to be able to provide this opportunity to the students of Maine College of Art, an institution that shaped/guided me to where I am today," says Studio Couture co-founder Blake Almstead.
Studio Couture, founded in 2011, is brings together educators, professionals, businesses, and students to promote innovation and design thinking in entrepreneurship. Founders Blake Almstead and Peter Beaugardare both instructors at Lawrence Technological University. Gallery hours are Thursday through Sunday from noon to 6pm.
Image credit: Photograph by Gabriella Sturchio '12
Dedication for Karu Media Collective
On February 3 at 5pm, the college will officially dedicate the Karu Media Collective and to thank the Karu family for their generosity. Located on the third floor of the Porteous Building, the Karu Media Collective provides studio space for students majoring in Graphic Design, Illustration, Photography, and New Media. All are invited to attend the dedication, hear remarks from faculty, staff, and students and tour the spaces.
Portland INSIDE/OUT Exhibition and Screening
This fall, MECA partnered with TedxDirigo to respond to artist JR’s TED Prize wish “to turn the world inside-out using art." Students in the Public Art Studio Class interviewed Portland residents about what they want their community to be. The temporary public art project featured voices and portraits shared on the streets of Portland, on the web, and on the radio.
During the First Friday Art Walk on February 3, the college will host an exhibition, film screening, and celebration of the project from 5pm to 9pm on the second floor of the Porteous Building. Join us in celebrating our partnerships and project process, listen to our collective voices and pick up a copy of your photo at this multi-media installation. The documentary film, by No Umbrella Media, will be screened at 7 and 8pm.
Metalsmithing & Jewelry Faculty Jeffrey Clancy Exhibition and Book Launch in Brussels
Metalsmithing & Jewelry faculty member Jeffrey Clancy is exhibiting his work at Elsa Platteau & Cie Gallery in Brussels from February 2 through March 2. An opening reception is scheduled for February 1 which includes a book launch for Clancy's "Making a Bowl by Raising and Crimping." This limited edition book includes texts written by Annie Larmon and Lauren Fensterstock, the Academic Program Director of the Masters of Fine Arts program at MECA. Clancy was also selected by the Smithsonian American Art Museum for the upcoming exhibition "40 under 40: Craft Futures" opening this summer at the Renwick Gallery in Washington, DC.
Photography Faculty Collaborate for Exhibition
Maine College of Art Photography faculty member Peter Shellenberger and artist-in-residence Caleb Charland are collaborating on a body of work to be exhibited at the Addison Woolley Gallery in Portland. Both artists incorporate unconventional materials and processes in their imagery. The exhibition, curated by Bruce Brown, opens with a reception on February 2 and continues through February 26. Shellenberger and Charland will discuss their process at an artist lecture on February 12 at 2 pm.
Faculty Member Elizabeth Jabar Exhibits in Waterville
Printmaking faculty member Elizabeth Jabar presents "Kindred" an exhibition of her work at Common Street Gallery in Waterville through December 28. In “Kindred” Jabar poignantly captures diverse narratives and interprets what it means to be in kinship with our cultural ancestors.
Jabar is a Waterville native and returns to her roots to mount an exhibition of prints, paper cuts, and artist books that reflect on the ideas of kinship, ancestry and cultural heritage. Working from a narrative framework, She uses a lexicon of abstracted and representational forms that come from a diversity of sources including, nature, folk art traditions, textiles, and the human figure. Her densely-layered, vividly-colored works are made using a combination of print techniques—woodcut, silkscreen, and lithography, as well as the use of dyes, wax, and thread. Her works also expand the conventions of the print medium, and utilize nontraditional formats including cut paper, book objects, and unframed wall compositions.
Jabar's unique approach to both form and format creates a multi-sensory experience for the viewer. She explains that her work conjures multi-layered narratives that lead us away from the ordinary into a contemplative space full of color, potent symbols, and a unique visual language that is not easily categorized. These formal and material strategies underscore what Jabar states is her goal of “reflecting upon the richness and complexities of cultural identity.” Her work is in various collections throughout the United States and Canada, and she has won several grants and awards and residencies.
Matt Hutton, program chair of the Woodworking & Furniture Design program at MECA, will give a lecture at 3pm on December 7 in the Institute of Contemporary Art at Maine College of Art. Hutton's work is included in the current exhibition, "A Perpetual Present" on view through December 23.
Hutton earned his BFA in Woodworking and Furniture Design at the Herron School of Art in Indianapolis, Indiana and an MFA from San Diego State University. Matt has also studied woodworking in England and Japan.
Recently, Matt has taught at Haystack Mountain School of Crafts, Anderson Ranch Arts Center and lectured at Rochester Institute of Technology, the Herron School of Art and Takumi Juku in Japan. Matt was also recently awarded the Artist Award from the Society of Arts & Crafts and the Searchlight Award from the American Craft Council.
Students in Ling Wen Tsai's class "Introduction to Drawing" will show their work at Bakery On the Hill Gallery through January 29, 2012. All works were inspired by and created in the bakery. Participating students include: Brian MacMillian, Brittany Jasmin, Caitlin Hathaway, Cecil Cates, Cecilia Vazquez, Dylan MacLeod, Emily Armstrong, Emma McCabe, Ezequiel Rodriguez, Franceska Nebel, Gianna Caranfa, Hailey Howard, Hayley Cummings, Johanna Stacey, Lucas Greco, Lyndsey McElreath, Richard Ehman, Sarah Oppelt, Shadell Segree, and Wesley Cunningham.
MECA, Telling Room and Library Partner for Teen Exhibition
The 10-month post-baccaluareate program at MECA prepares students to become art teachers. In addition to the classes on campus and the student teaching in classrooms, the future teachers also participate in community collaborations. This fall, students in the Art of Teaching Art class with Paul Gebhardt partnered with the Portland Public Library and the nonprofit writing organization The Telling Room to conduct a series of workshops for teens. The work focused on the theme of The Telling Room's yearly anthology “Searching for Maine: Searching for Me.” First, students wrote their personal stories of identity. Then MECA students helped them create silhouettes and cut them out. To complete the project, they wrote their stories inside their silhouettes and exhibited them in the gallery at the library. “For a lot of these teens, they never understood the concept of a gallery opening,” said Telling Room creative director John Holdridge. “There was this great moment where there was a room full of high school students, Telling Room staff, MECA students and professors all in the space together, viewing the work, having conversations – classic art opening conversations about the work and some not about the work. It was good to provide a space where significant cross-sections of this Portland community can come together, high school students, higher education students and professionals; we wanted to provide a hub for all of these people to be able to come together.”