In 2007, artist Stephen Pace and his wife Palmina donated their Stonington home to Maine College of Art to use as an educational facility for the arts. This summer, the College will continue its programming of the space as an artist residency and as a gallery. The artist residency provides MECA alumni, faculty and staff with time and space to make their work. The schedule of artists this season includes Jude Valentine ’78 from June 3-28, faculty member Scott Peterman from July 1-15, Anne Ireland ’94 from July 21-27, Anthony Bragg ’07 from August 1-28 and Andrew Haviland ’12 and Emma Sampson ’11 from August 29 through September 4.
In addition to using the facility for the residency, the College opens parts of the home and gallery for the public to view selected works by Stephen Pace. Located at 90 Indian Point Road in Stonington, the gallery will be open to the public on Wednesday evenings from 5:00-7:00pm and on Saturdays from 10am-2pm while artists are in residence. The Stephen Pace Gallery is open from July through September for the 2013 season.
About Stephen Pace
Stephen was born in 1918 in Missouri and studied at the Art Students League in New York and the Academie de la Grande Chaumiere in Paris. He settled in New York and became an acclaimed artist known for his Abstract Expressionist work. In later years he devoted himself to more representational paintings and drawings. Stephen and his wife, Palmina, bought the Stonington house, a turn-of-the-century sea captain’s residence set on a ledge overlooking the Penobscot Bay, in 1943. They summered there for sixty-four years, until their relocation to Indiana.
Graduating senior Kristin Fitzpatrick SELECTED FOR 2013 MONHEGAN RESIDENCY
Photo by Gabriella Sturchio '12
Graduating senior Kristin Fitzpatrick from Portland and Daniel Anselmi from Belfast have been named the 2013 Monhegan Island artists-in-residence by the Monhegan Artists’ Residency Corporation. Thanks to a new initiative supported by the Maine Arts Commission, Melinda Campbell from Old Orchard Beach will take the first-ever art teacher residency offered by the program. Fitzpatrick, a recent graduate of the Maine College of Art printmaking department, will be on Monhegan June 1-July 5; Anselmi, an abstract painter, August 31-October 4; and Campbell, a teacher in the Auburn School Department, July 6-20.
This year’s fellows will lodge in two new studio spaces, Elva’s Old P.O. and the Shumaker Cottage, both of which feature outdoor working spaces overlooking the island’s distinctive landscape.
Now in its 23rd year, the Monhegan Artist’s Residency program is supported by individual donations and grants from the Quimby Family Foundation, the Lida P. Underhill Trust, and the Maine Arts Commission.
For information, visit www.monheganartistsresidency.org.
MECA Alum Ahmed Alsoudani's Painting to be exhibited at the Portland Museum of Art
The Portland Museum of Art (PMA) has announced that on September 7, 2013, the museum will present Ahmed Alsoudani: Redacted, the first major museum exhibition of the work of American-Iraqi artist and Maine College of Art graduate Ahmed Alsoudani (BFA, 2005). The exhibition will feature nearly 20 of the artist’s tumultuous and innovative paintings, which reflect on the horrors of war with a unique artistic voice. Ahmed Alsoudani: Redacted will be on view through December 8, 2013, in the PMA’s Third Floor Gallery for Contemporary Art.
“Challenging the viewer with nuanced art historical arguments and blatantly difficult, abject, and grotesque imagery, Alsoudani does what few artists can do: he successfully translates the complexity of contemporary politics into meaningful painting,” said PMA Director Mark H.C. Bessire.
Through his personal experience as a child and adolescent in war-torn Iraq, Alsoudani developed a keen sensitivity to the effects of war, violence, terror, and political unrest on a global scale. His paintings reflect his experiences as well as the mediated nature of war in our time. “I’m not just commenting on Iraq but on an experience that becomes universal,” Ahmed Alsoudani said, referring to Untitled, 2007, a loose, nearly abstract rendering of the moment the infamous statue of Saddam Hussein fell in Baghdad in 2002. His splintered compositions, and the overwhelming and sometimes harrowing scenes represented in a bright, near-primary palette, address the uneasy balance in our culture between scenes of disaster and objects of beauty.