The Maine Arts Commission recently presented a transformative two-day Creative Capital Professional Development Retreat in partnership with Maine College of Art. Creative Capital is a national nonprofit organization dedicated to providing integrated financial and advisory support to artists pursuing adventurous projects in five disciplines: Emerging Fields, Film/Video, Literature, Performing Arts and Visual Arts. Working in long-term partnership with artists, Creative Capital’s pioneering approach to support combines funding, counsel and career development services to enable a project’s success and foster sustainable practices for its grantees. The Professional Development Program has reached more than 4,200 artists in 70 communities across the country. The retreat was held at MECA on September 15 and 16.
The Professional Development Retreat delivered dynamic skill-building opportunities to artists for long-term change. Using strategic planning as the central tool, the retreat provided a comprehensive learning structure that helps artists identify short-term project goals and longer-term career goals. The aim of the retreat was to help artists build the skills and identify the resources needed to accomplish their goals. Creative Capital uses an integrated methodology to build skills in the core areas of marketing/public relations, financial planning and fundraising. Overall, the retreat helps artists break ineffective patterns of time and work management, and increase satisfaction in the business of their art.
If you are interested in learning more about this professional development program and other similar upcoming opportunities, please contact Jessica Tomlinson at firstname.lastname@example.org.
Alum Publishes Book on Rescued Animals
Alum Sharon Lee Hart '04, a lecturer in the University of Kentucky School of Art and Visual Studies, recently published her first book titled "Sanctuary: Portraits of Rescued Farm Animals" which will be released this fall.
The book is comprised of photographs, taken by Hart, of rescued farm animals in various animal sanctuaries, accompanied by handwritten stories by sanctuary workers and leaders in the animal rescue industry. Spliced amongst the photos and stories are essays written by Karen Davis, president of United Poultry Concerns; Kathy Stevens, founder of the Catskill Animal Sanctuary; andGene Baur, founder of Farm Sanctuary.
A long-time vegetarian turned vegan, Hart refers to farm animals as "some of the most abused, overlooked animals on the planet." Upon visiting her first animal sanctuary, Hart was inspired to meet more rescued farm animals and pursue this project. The message of the book is to show the innocence and intelligence of farm animals across the country, and Hart hopes "Sanctuary" will promote advocacy for better treatment for farm animals.
"I hope that folks view the photographs with compassionate eyes, read the stories with an open heart, and begin to see farm animals in a new light," Hart said.
A native of Washington, D.C., Hart received her bachelor's degree with honors from Maine College of Art and her Master of Fine Arts degree from the University of North Carolina at Chapel Hill.
Alum and Faculty member included in Smithsonian Exhibition
Alum Vivian Beer '00 and Associate Professor of Metalsmithing & Jewelry Jeff Clancy were selected to participate in "40 under 40: Craft Futures" at the Renwick Gallery of the Smithsonian American Art Museum. The show features forty artists born since 1972, the year the Smithsonian American Art Museum’s contemporary craft and decorative arts program was established at its branch museum, the Renwick Gallery. The exhibition investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion design, sustainable manufacturing, and mathematics. The range of disciplines represented illustrates new avenues for the handmade in contemporary culture.
This new work reflects the changed world that exists today, which poses new challenges and considerations for artists. These 40 artists are united by philosophies for living differently in modern society with an emphasis on sustainability, a return to valuing the hand-made and what it means to live in a state of persistent conflict and unease.
Nicholas R. Bell, The Fleur and Charles Bresler Curator of American Craft and Decorative Art at the Renwick Gallery, organized the exhibition which runs from July 20, 2012 to February 3, 2013. The museum hopes to acquire works by every artist featured in the exhibition to commemorate the fortieth anniversary of the Renwick Gallery.
Image: Tea for One by Jeff Clancy
MFA Summer Visiting Artist Lecture Series
Each summer, MECA invites visiting artists, curators, and scholars to participate in MFA curriculum. In addition to critiques and studio visits with students, Visiting Artists deliver a lecture that is free and open to the public. Lectures are held in Osher Hall and begin at 6:30pm.
Michael Kimmelman Thursday, June 21 “From New York to Europe and Back Again”
Michael Kimmelman’s talk is an intimate and story-filled reflection on his path from The New York Times’s Chief Art Critic, trawling the world’s museums and galleries to Foreign Correspondent (based in Berlin), reinventing cultural reporting from Marseille to Gaza to Berlin and Istanbul, all of which prepared the way for his current post as Architecture Critic, writing about issues facing us at a time when society and cities are rapidly changing.
Beth Lipman Monday, June 25
Beth Lipman lives and works in Sheboygan Falls, WI. She has exhibited her work widely and received numerous awards including a Louis Comfort Tiffany Foundation Grant, Wisconsin Arts Board Fellowship, and a Ruth Chenven Foundation Grant. Lipman has exhibited her work internationally at such institutions as the ICA at MECA, the RISD Museum, the Milwaukee Art Museum, and the Renwick Gallery of the Smithsonian American Art Museum.
Radcliffe Bailey Monday, July 2
Radcliffe Bailey creates his mixed media paintings by piecing together ancestral photographs, collected objects, and painted words and maps. Born in 1968 in New Jersey, Bailey now lives and works in Atlanta. He earned a Bachelor of Fine Arts from Atlanta College of Art in 1991. His work is permanently installed in the Atlanta Hartsfield-Jackson International Airport and in numerous permanent collections including The Corcoran Gallery of Art, The Metropolitan Museum of Art, The High Museum of Art, and The Art Institute of Chicago.
Amze Emmons Monday, July 9
Amze Emmons is one of the co-founders of Printersting.org. He is an artist, illustrator, curator, living and working in Philadelphia, PA. Currently, he teaches art at Muhlenberg College in Allentown. Emmons and his partners at Printeresting are organizing a zine and small press exposition at Space Gallery from July 20 - August 23 featuring work from 60 talented artists, designers, and publishers from around the world.
Stanya Kahn Monday, July 16
California-based Stanya Kahn is an interdisciplinary media artist. Working primarily in video, with a practice that includes performance, writing, and photography, Kahn's work inhabits a space between fiction and document, and stems from an extensive background in live performance. Kahn has worked in a collaborative team with artist Harry Dodge, and her work has shown in numerous venues nationally and internationally, including the Whitney Biennial, the California Biennial at the Orange County Museum of Art, and The Museum of Modern Art.
Francis Cape Monday July 23
Francis Cape was trained as a woodcarver before receiving his MFA from Goldsmiths College, University of London. He has exhibited his work extensively in the US, including shows at the P.S.1 Contemporary Art Center and the Aldrich Museum of Contemporary Art. Cape is represented by Murray Guyin New York City. He lives and works in Narrowsburg, NY.
Denise Markonish Monday July 30
Denise Markonish is the curator at MASS MoCA where she has curated the exhibitions of Nari Ward, Petah Coyne and Inigo Manglano-Ovalle. Markonish also co-edited with Susan Cross the book Sol LeWitt: 100 Views. Previous to her work at MASS MoCA, Markonish was the curator at Artspace in New Haven, CT.
Anne Wilson Monday, August 6
Anne Wilson is a Chicago-based visual artist who creates sculpture, drawings, performances and video animations that explore themes of time, loss, private and social rituals. Wilson is the recipient of grants from the Driehaus Foundation, Artadia, the Tiffany Foundation, and the National Endowment for the Arts. Wilson's work is represented by Rhona Hoffman Gallery, Chicago and Paul Kotula Projects, Detroit. She is a Professor at the School of the Art Institute of Chicago.
Generous support for the lecture series provided by the Quimby Family Foundation.
Ribbon Cutting Celebration for Woodworking & Furniture Design Department
Maine College of Art will celebrate the completion of the Woodworking & Furniture Design studio facilities in the Porteous Building on Thursday, June 7 at 5:30pm on the third floor. We will acknowledge the donors who made the renovations possible. Light refreshments will be served at 5:30pm with remarks by President Don Tuski and Associate Professor Matt Hutton at 6pm.
This summer, the College is hosting the Furniture Society conference, dynamic range of intensives, lectures, demonstrations, presentations, and exhibitions. Join Matt Hutton and Assistant Professor Adam Manley on Saturday, June 9 from 10am to noon to tour the exhibits. Participants should join in the MECA lobby for coffee and donuts before departing together.
Please RSVP for either or both of these events to Annie Wadleigh at email@example.com or 207.699.5015.
Image: Tanner Price '12
MECA to Host Furniture Society Conference
From June 14-16, Maine College of Art will host the Furniture Society conference:Design, Community & the Sublime. The conference includes a dynamic range of intensives, lectures, demonstrations, presentations, and exhibitions. The unforgiving coastline of Maine gave birth to communities of skilled shipbuilders, uniquely rugged and determined. The Shakers, in a tradition of simplicity and functionality, contributed to the style, in fact, the very grain of the state and the last of these communities in the country still calls Maine home. There are deeply held values in these life and work choices, those of the Shakers, the boat builders, and all those who coax wood: a fierce independence that is predicated on the strength of community and tradition. The Furniture Society’s 2012 conference, Design, Community, and the Sublime, will celebrate these traditions and intersections of craft, community, and design in a setting of natural beauty and contemporary culture.