The Maine Arts Commission recently presented a transformative two-day Creative Capital Professional Development Retreat in partnership with Maine College of Art. Creative Capital is a national nonprofit organization dedicated to providing integrated financial and advisory support to artists pursuing adventurous projects in five disciplines: Emerging Fields, Film/Video, Literature, Performing Arts and Visual Arts. Working in long-term partnership with artists, Creative Capital’s pioneering approach to support combines funding, counsel and career development services to enable a project’s success and foster sustainable practices for its grantees. The Professional Development Program has reached more than 4,200 artists in 70 communities across the country. The retreat was held at MECA on September 15 and 16.
The Professional Development Retreat delivered dynamic skill-building opportunities to artists for long-term change. Using strategic planning as the central tool, the retreat provided a comprehensive learning structure that helps artists identify short-term project goals and longer-term career goals. The aim of the retreat was to help artists build the skills and identify the resources needed to accomplish their goals. Creative Capital uses an integrated methodology to build skills in the core areas of marketing/public relations, financial planning and fundraising. Overall, the retreat helps artists break ineffective patterns of time and work management, and increase satisfaction in the business of their art.
If you are interested in learning more about this professional development program and other similar upcoming opportunities, please contact Jessica Tomlinson at email@example.com.
Alum Publishes Book on Rescued Animals
Alum Sharon Lee Hart '04, a lecturer in the University of Kentucky School of Art and Visual Studies, recently published her first book titled "Sanctuary: Portraits of Rescued Farm Animals" which will be released this fall.
The book is comprised of photographs, taken by Hart, of rescued farm animals in various animal sanctuaries, accompanied by handwritten stories by sanctuary workers and leaders in the animal rescue industry. Spliced amongst the photos and stories are essays written by Karen Davis, president of United Poultry Concerns; Kathy Stevens, founder of the Catskill Animal Sanctuary; andGene Baur, founder of Farm Sanctuary.
A long-time vegetarian turned vegan, Hart refers to farm animals as "some of the most abused, overlooked animals on the planet." Upon visiting her first animal sanctuary, Hart was inspired to meet more rescued farm animals and pursue this project. The message of the book is to show the innocence and intelligence of farm animals across the country, and Hart hopes "Sanctuary" will promote advocacy for better treatment for farm animals.
"I hope that folks view the photographs with compassionate eyes, read the stories with an open heart, and begin to see farm animals in a new light," Hart said.
A native of Washington, D.C., Hart received her bachelor's degree with honors from Maine College of Art and her Master of Fine Arts degree from the University of North Carolina at Chapel Hill.
Alum and Faculty member included in Smithsonian Exhibition
Alum Vivian Beer '00 and Associate Professor of Metalsmithing & Jewelry Jeff Clancy were selected to participate in "40 under 40: Craft Futures" at the Renwick Gallery of the Smithsonian American Art Museum. The show features forty artists born since 1972, the year the Smithsonian American Art Museum’s contemporary craft and decorative arts program was established at its branch museum, the Renwick Gallery. The exhibition investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as sculpture, industrial design, installation art, fashion design, sustainable manufacturing, and mathematics. The range of disciplines represented illustrates new avenues for the handmade in contemporary culture.
This new work reflects the changed world that exists today, which poses new challenges and considerations for artists. These 40 artists are united by philosophies for living differently in modern society with an emphasis on sustainability, a return to valuing the hand-made and what it means to live in a state of persistent conflict and unease.
Nicholas R. Bell, The Fleur and Charles Bresler Curator of American Craft and Decorative Art at the Renwick Gallery, organized the exhibition which runs from July 20, 2012 to February 3, 2013. The museum hopes to acquire works by every artist featured in the exhibition to commemorate the fortieth anniversary of the Renwick Gallery.